In this premiere episode of our new series “1,024 Shades of Grey,” we learn from experienced pro Alister Chapman of XDCAM-User.com who argues that Log is not the answer to every problem – especially in low light.
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If you were to allocate percentages to your pre-production, production and post, what would they be?
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As a filmmaker coming from still photography, there are several things that are especially difficult for me, like dynamic camera movement or continuous focusing.
But the bane of my existence continues to be audio...
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When I wrote a brief post about VR back in August for planet5D, all I got back was...crickets.
I don't think it's going to remain that way much longer, not when the New York Times -- remember, the Times is known affectionately as The Gray Lady -- now has a VR app.
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If you don't have the very latest a7rII or a7sII, you still have to contend with the terrible record button on Sony's a6000 and earlier a7 variants. Cineasy Touch to the rescue.
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Everything you ever wanted to know about the iPhone as a video camera!
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Oh baby! I buy a Phantom 3 Professional and see the world differently. I just may have to call it Gear of the Year.
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BACK TO THE FUTURE is one of the greatest films of all time, and it was a wonderful metaphor for what was interesting about PhotoPlus Expo 2015
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Sony Senior Technology Manager Mark Weir must have mentioned “decisive moment” during his presentation of the RX1R Mark II at least three times – and in spite of my best efforts, each time he did a little chill of excitement ran down my spine. A modern interpretation of Cartier-Bresson’s Leica? Yum-bo!
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There's a big difference between my gear recommendations and my wish list - the latter is unconstrained by notions of return on investment or practicality (for the most part).
It's pure gear lust - you know what I'm talking about.
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Look, there’s no getting around the fondness I have for the Leica brand. A Leica IIIa was the first 35mm camera I ever held, and both the company’s origin story and the values it has shown throughout most of its history are compelling – to me. Still, I approached the Leica SL at PhotoPlus Expo warily.
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f you want to understand why THE TERMINATOR [Amazon|iTunes] is a great movie while TRANSFORMERS: AGE OF EXTINCTION [Amazon|iTunes] isn’t – yet is still a monster commercial success – you could do a lot worse than spending six minutes watching Ross’ analysis of James Cameron's use of action as a storytelling device.
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The DxO ONE [B&H|Amazon] is a great idea, and a real alternative to the Olympus Air A01 [B&H | Amazon] and Sony [B&H|Amazon]: pump up the iPhone with a superior sensor while minimizing added bulk.
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Take a look at what Sony’s next version of the a6000 [B&H|Amazon] – especially if it’s 4K – will have to compete against.
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