Well, this is one way to play catch up: put all the videos I've done on the Panasonic GH5 and related lenses over the last couple of months in one post. Enjoy -- and if you like what you've seen here, please remember to give a thumbs up, subscribe to our YouTube channel and consider using our affiliate links or even directly supporting us with a contribution via PayPal in the "MORE" section below each video on YouTube. Thanks!
Just a quick note to apologize for leaving so much off the blog. This is all a very part-time thing I'd like to make almost-full time (we start shooting a documentary short tomorrow), Still sorting it out. Will try to get a pile of YouTube videos reposted here over the next couple of day, but you can always go straight to our YouTube channel. Thanks for your patience!
Yes, the a9 is sick-fast, arguably sickest-fastest general purpose camera out there. But I actually lost sleep after shooting with it for a full day, wondering “why this camera, why now, and for whom?”
The Sony a6500 [B&H|Amazon] is a great camera, as it is essentially an a6300 with in-body image stabilization, a few ergonomic tweaks, a much bigger buffer, and an imperfect touch auto focus system. Here's my freaking half-hour review, with plenty of footage. I tell you which of the two -- along with the original a6000 -- you should buy.
We sit down with Juan to go over the whats and whys of the FS7 II, an update to the incredibly successful original, including a new E PZ 18-110mm f/4.0 lens that looks to be a much better match to the camera's capabilities than either the E PZ 18-105 or the FE PZ 28-135.
It was only a matter of time before Sigma went up-market to take on Canon and Zeiss in the cine lens space. With pricing just announced on their 18-35mm and 50-100mm zooms of around $4,000 a pop -- and a meaty, solid and precise 85mm T/1.5 in my hands for all of 90 seconds -- it seems clear to me that Canon and Zeiss should be worried.
It was one of those once-in-a-lifetime opportunities, but this time (unlike in April) I wasn’t official press. Forget about a tripod or monopod - Secret Service rules prohibited even selfie-sticks. Forget about a lot of glass, especially long, fast glass: not only would everything have to be hand-held, but those same rules stipulated no backpacks and no bags bigger than 18” x 13” x 7.” And then there were the closed-door meetings where even if I had been press, no press were allowed. Traveling small, light and unobtrusive were the orders of the week. Heads-up: this is a post about gear -- not politics -- but if you don’t want to see photographs from the Democratic National Convention in Philly (along with protests) you’d better stop reading here.
Just six months ago I wondered if Hasselblad -- among other beloved photography brands -- would "...fade, like old photographs, into the sands of time." Fast forward to April of this year, when Hasselblad announced a brand new H6D in 50 and 100mp versions, coupled with the best software interface in a camera I've ever seen -- and an eye-watering price of $32,995 for the 100mp model, body only. Now Hasselblad as announced another new camera, the X1D at $8,995 (body only). While the X1D has the same sensor and user interface as the H6D-50c, it is roughly one third the price and less than half the weight. What does this mean for photographers -- and for Hasselblad?