No headphone jack on the a6300 or a6000 (no mic jack in this case, either)? Don't despair. There's an app for that. Well, not really - but there ARE solutions.Read More
This series is the biggest hands-on evaluation of gear I’ve ever done with the most advanced gear I’ve ever used. I know it is incomplete, limited, and wrong – I just don’t which, where. But this also made it the perfect Three Blind Men and An Elephant project. It allowed me to see the FS7 from many different angles and thus get a little closer to some kind of objective truth not just about one camera, but the entire endeavor of filmmaking. Heads up: there is a TON of video and images in each episode, so stick with them!
But it wasn’t just the FS7 that we tested. The good folks at Zacuto, Atomos, Veydra, and CAME-TV lent us gear to fully kit it out as it was intended, with fascinating results:
· Veydra Mini-Primes in Sony E-Mount
Here’s a top level recap by episode, but I encourage you to visit planet5D where my original series was first published.
Episode 1: "Built Like a Tank" - I find out how tough the FS7 is when the entire setup crashes to the floor
Episode 2: "Brilliant Footage at the Cost of Ergonomics" - the footage looks amazing, but the menus and physical handling are tough for someone coming from the DSLR/ILC world.
Episode 3: "First Footage" - Did I say it looks amazing? I believe I did. But do I really need it? Want it, absolutely. But...
Episode 4: "Enter the Ninja Assassin and the Gratical X" - We respect the Gratical X and love the Ninja.
Episode 5: "The Answer" - We go a little nuts and compare 1080p footage shot with the Veydras on a Sony a6000, 4K footage shot on an iPhone 6s Plus -- and 4K 10-bit 4:2:2 footage shot on the FS7 -- to help get to a final verdict.
You can read the rest of this post on planet5D, where it was originally published.