It was one of those once-in-a-lifetime opportunities, but this time (unlike in April) I wasn’t official press. Forget about a tripod or monopod - Secret Service rules prohibited even selfie-sticks. Forget about a lot of glass, especially long, fast glass: not only would everything have to be hand-held, but those same rules stipulated no backpacks and no bags bigger than 18” x 13” x 7.” And then there were the closed-door meetings where even if I had been press, no press were allowed. Traveling small, light and unobtrusive were the orders of the week. Heads-up: this is a post about gear -- not politics -- but if you don’t want to see photographs from the Democratic National Convention in Philly (along with protests) you’d better stop reading here.
Read moreAnother Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8
I didn't think I'd like this camera: I'd chosen to buy Sony's RX100 Mk IV last year when I faced the choice. But then I returned that camera when I realized it didn't have enough reach and I didn't like futzing with the pop-up viewfinder (I loved everything else). Fast forward to a couple of weeks ago, when an RX10 Mark III loaner showed up on my doorstep, in the middle of my on-going love affair with the Sony a6300 and a just-arrived Zeiss Batis 85mm f/1.8 - a true rock 'n roll combo. So I did the obvious - I pitted them against each other during a family portrait shoot. I’ll cut straight to the chase: the Sony RX10 Mk III is so good – and so close to an a6300 with the already-legendary Zeiss Batis 85mm f/1.8 - that if you can’t get amazing photos with it, the problem is…ahem…do you see it coming… YOU (or, in my case, me). Even bigger: the RX10 Mark III may be another nail in the coffin of entry level/budget enthusiast DSLRs.
Read moreWhy Sony Has the Hot Hand in Imaging Right Now
I had the opportunity to sit down with executives from Sony’s Professional Services group this week in their new offices in New York. It was eye-opening. And no, I’m not shilling for them. It’s just that I recognize a high performance team when I see one.
Read moreMassive Hands-On Review: I Mount Canon’s Stonkin’ 300mm f/2.8L USM II to Sony’s New a6300. Plus a6300 Low Light Test, Rolling Shutter Test, Sony’s New G-Master Lenses, and Zeiss Touit 12mm f/2.8.
I go a little bit nuts in Miami trying to find what’s awesome and what’s not with Sony’s new a6300 and G-Master lenses. I’ll be adding photos and video links shortly. And I apologize in advance if it’s a lot to take in. My brain hurts.
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