RED Cameras are used by people and projects so far beyond my own capabilities – and budget — that I might as well be writing about rocket science. With its new entry-level Raven, however, RED enters the increasingly crowded sub-$10,000 4K market. The Raven’s footage looks, well, RED stunning just like its more expensive siblings.
Still, I’ve learned enough over the past 18 months to recognize the non-camera components of this footage that contribute mightily to it, from on-screen talent to lighting, styling, set design – and skill...
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