It recently became clear that we needed a small, bi-color, diffusable on-camera (or almost on-camera) light. Then we learned about the Luxli Viola, tested it with a little help from our friends, and liked it so much we decided to give one away:
Read moreSecced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still
The Reach Plus 1 is a Sachtler-inspired tripod kit from Chinese manufacturer Secced. It also competes against my own Cartoni Focus HD -- even though the Cartoni has much higher payload maximums -- because it demands to be taken seriously and my A-cam is the light weight Sony a6300. How well does it succeed (geddit)? Read on.
Read moreFinally! iPro Case for iPhone 6s+ is Shipping, Enables the Full Monty!
I left a Pelican 1510 full of Sony bodies and prime lenses at home as I flew to Vegas for NAB 2016 (don't get me wrong: I LOVE them), vowing to repeat my NAB 2015 party trick of filming all my interviews and taking all of my pictures with an iPhone. But it was only after I arrived that I finally got my hands on the updated iPhone 6s+ iPro case, cornerstone of Schneider Optics' iPro lens system. And then some.
Of COURSE there are compromises when using an iPhone as your sole imaging device (more on that in a moment). But at a venue like NAB, they are far outweighed by the benefits -- at least for me. Incredibly small, lightweight and unobtrusive, the iPhone allows me to focus on the people with whom I'm speaking.
I just didn't want to put it in a rig like I did for the cover of my eBook Apple's iPhone: The Next Video Revolution. At NAB, bulking it up like that would defeat the whole purpose.
So I was stoked when NAB bud Niki Mustain of Schneider Optics snagged a just-shipping iPro case for the iPhone 6s+. I already had all the other gear I'd need to rock it - three iPro lenses by Schneider (Super-Wide, 2X and Macro), RØDE Videomic Me, Manfrotto's Pixi mini-tripod with integrated push-button locking ball head, and Aputure's not-yet-released-but-based-on-people's-reactions-Aputure-should-get-on-it Lightning Up micro-LED panel.
I've already posted some shots from NAB, and next week I'll be posting videos. But videos are also where those compromises are really felt. I did an interview with Blackmagic Design bud (and Americas President) Dan May, but I REALLY could have used shallow depth of field. I also took no chances with audio, relying on a really great combo of gear (a TASCAM DR70-D field recorder and a pair of RØDElink Filmmaking Kits, packed in a little Domke bag). To be fair, I only used the RØDE Videomic Me once, and while it was credible, it wasn't nearly as good as my larger setup. Then again, acoustics at NAB are ALWAYS horrible -- it's just the nature of the beast.
PS: If anyone has a truly outstanding over-the-shoulder solution for one-man band hybrid video/stills shooter, let me know. Seems to me this is a hole in the market -- and I've looked at a lot of bags!
Pricing and availability: