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      <image:title>All Posts - Workshop Update; Lenses for Nikon Z, Hasselblad X1D II &amp;amp; FujiFilm GFX100; Fujilfm X100V; “Sublime Manhattan” with Laz Baptiste</image:title>
      <image:caption>“Sublime Manhattan” by The Nightographer Laz Baptiste</image:caption>
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      <image:title>All Posts - Leica M10 Monochrom; Our 2020 Street Photography Workshops; and A Pair of L-Mount Lenses from Sigma</image:title>
      <image:caption>Photo by Hugh Brownstone. Shot on Leica M10 Monochrom with APO Summicron-M 50mm f/2, Black Chrome Edition.</image:caption>
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    <lastmod>2017-10-29</lastmod>
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    <lastmod>2017-10-29</lastmod>
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    <lastmod>2017-10-29</lastmod>
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    <lastmod>2017-10-29</lastmod>
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    <lastmod>2017-10-29</lastmod>
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    <priority>0.5</priority>
    <lastmod>2017-06-06</lastmod>
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  <url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-06</lastmod>
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  <url>
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    <priority>0.5</priority>
    <lastmod>2017-06-01</lastmod>
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  <url>
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    <lastmod>2017-05-24</lastmod>
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      <image:title>All Posts - I've Got to Figure Out How to Keep Up on This Blog</image:title>
      <image:caption>One of many new videos we've done recently, with increasing emphasis on Panasonic and Fuji.</image:caption>
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    <loc>http://hughbrownstone.com/all-posts/2017/4/22/sleepless-over-sonys-a9-what-is-it-really-and-for-whom</loc>
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    <priority>0.5</priority>
    <lastmod>2017-04-22</lastmod>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2017/4/19/sony-a9-aimed-at-one-thing-dethroning-the-dslr-kings-of-pro-sports-photography</loc>
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    <priority>0.5</priority>
    <lastmod>2017-04-21</lastmod>
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      <image:title>All Posts - Sony a9 Aimed at One Thing: Dethroning the DSLR Kings of Pro Sports Photography</image:title>
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    <priority>0.5</priority>
    <lastmod>2017-04-10</lastmod>
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    <priority>0.5</priority>
    <lastmod>2017-03-27</lastmod>
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    <priority>0.5</priority>
    <lastmod>2017-02-22</lastmod>
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  <url>
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    <priority>0.5</priority>
    <lastmod>2017-02-17</lastmod>
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    <priority>0.5</priority>
    <lastmod>2016-12-27</lastmod>
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  <url>
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    <priority>0.5</priority>
    <lastmod>2016-12-27</lastmod>
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  <url>
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    <priority>0.5</priority>
    <lastmod>2016-12-03</lastmod>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/11/23/sony-fs7-ii-a-conversation-with-senior-product-manager-juan-martinez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-23</lastmod>
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  <url>
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    <priority>0.5</priority>
    <lastmod>2016-11-23</lastmod>
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  <url>
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    <lastmod>2016-11-23</lastmod>
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      <image:title>All Posts - I Don't Normally Do This, But GEEZ: Great Deals (Truly) This Black Friday</image:title>
      <image:caption>The Sony a6000 was my 2014 Camera of the Year, and I still use it all the time.</image:caption>
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    <image:image>
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      <image:title>All Posts - I Don't Normally Do This, But GEEZ: Great Deals (Truly) This Black Friday</image:title>
      <image:caption>At the moment, I'm thinking the Panasonic GX85 is the best way to enter the micro four thirds world. Ihas a better shutter than its more expensive GX8 sibling, but it gives up an articulated EVF and a bigger sensor. I can live with that.</image:caption>
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    <lastmod>2016-10-24</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/10/24/photoplus-expo-2016-part-1-looking-at-the-cameras-i-usually-dont-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-24</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/10/23/kamerars-dfuse-light-modifiers-for-aputures-excellent-amaran-led-panel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477242305533-N8JRN5W71U8AZB6K207K/image-asset.png</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Aputure's Amaran HR672C is one the best values in LED panels on the market today. I measured 1,280 lux from a distance of 1 meter at 4100K (640 lux at 3,200K) with very high CRI (95+, just as claimed), yet the complete kit including batteries, power brick, light stand clamp, remote and case is just $299  [B&amp;H|Amazon] .</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477242641063-IIXRSIHSST65NEMJF7MU/image-asset.png</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Aputure EZ Box with grid designed specifically for the Amaran LED panel, $55  [B&amp;H|Amazon]. The 'box is pretty well permanently attached to my HR672C because it works AND because it's a pain to take down and set up.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477242574129-PUSGDIW9420PXUHD46J4/image-asset.png</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Kamerar D-Fuse soft box for Amaran, $29.95  [B&amp;H|Amazon]. Easier setup and takedown, slightly larger surface area than Aputure's own gear.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477243371515-2GBWETBJH3TF906DVA65/image-asset.png</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>D-Fuse Grid mounted to soft box, $24.95 alone or $49.95 for both at Amazon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477256481850-K8BPHQFU78VKSTZ14AVO/image-asset.jpeg</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Kamerar D-Fuse on the left, Aputure EZ box on the right.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477256563400-AXZV2TU72GZF0QHKNFCQ/image-asset.jpeg</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Note that there's a shock cord inside the two metal tubes, which remain attached to the 'box itself. When you line them up, it just kind of snaps into position, taut (see bottom). The Grid just slips over the 'box with an elastic band.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477257838899-7BHO8VZZOI8PLEBMW0AB/image-asset.jpeg</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Another view of how the posts snap together.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477257631144-ID8T4UYZZB970RGO8SIB/image-asset.jpeg</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>The D-Fuse grid works and is very easy to put on.  The Aputure Grid has more structure, but the net effect is the same.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477256939301-DRMBGJJ2WTUNZFCDU310/image-asset.jpeg</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>It doesn't have to be this way, but it's very easy to cover the air vents -- a no-no.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477257022219-MTE6VBA3JHAIZ07HR68C/image-asset.jpeg</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Again, the straps don't HAVE to cover the vents or controls -- it's just that it's easy to not think about it, and it's easy enough to navigate around them once they're on.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477256777162-ICDH4NQF4TOYA8YI8OFG/image-asset.jpeg</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Aputure takes advantage of the 1/4" threaded sockets already in the Amaran on each side, allowing the 'box to easily clear all the vents while keeping light spill to a minimum. Very nice, but when you unscrew them it's very easy for the pieces to separate as the tension is gone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477257136072-SPOFNRDXI8P2KCGTMOS8/image-asset.jpeg</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>On the other hand, the diffusion panel doesn't fit as tightly nor consistently to the box as the D-Fuse does.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477257938345-CXHNZLNTHIXOX9ISO1B4/image-asset.jpeg</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>The posts on the Aputure EZ Box are plastic tubes and fit by friction, so sometimes they don't seat consistently with the result that the diffuser fits differently.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477257386038-VSBTCMEANF58U5UBIP5R/image-asset.jpeg</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Still, the net result is that Aputure's EZ Box clears the air vents and controls much more easily than the D-Fuse. Now if only it had more surface area and the front diffuser fit more tightly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477243813214-336BPOC8N8XC9N20T6J5/image-asset.png</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Only available in tungsten at the moment, but Aputure's new 120t with Bowens mount and 2,500 lux at 1 meter (four times the light of the HR672C, but without the ability to change color temperature) looks pretty darned interesting, $645 for a kit excluding V-mount battery  [B&amp;H|Amazon]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477244403529-0AGWDJAF9F6DYZLD5VJQ/image-asset.png</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Cinegears is now in the battery business, too. Because it has an LCD panel displaying capacity, it can be carried on board aircraft as it can show it is fully depleted. $248 at B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1477244277278-760FVQK0SF9VNZOYWPIE/image-asset.png</image:loc>
      <image:title>All Posts - Kamerar's D-Fuse: Light Modifiers for Aputure's Excellent Amaran LED Panel</image:title>
      <image:caption>Bowen's Lumiair 80x100 soft box, beginning at $179 at B&amp;H.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/9/27/sony-z150-son-of-the-rx10-mark-iii-and-and-the-fs5-for-3200</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475240739596-YV67VRR1G7RM2BK7VYGC/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>From left to right: Sony RX 10 Mk III with built-in zoom (24-600mm full frame equivalent), $1,498  [B&amp;H|Amazon] ; Sony Z150 with built-in zoom (29mm-348mm full frame equivalent), $3,299  [B&amp;H|Amazon] Sony FS5 interchangeable lens with Super35 sensor, same as the one found in the FS7,  [B&amp;H|Amazon]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475242143596-ZPYNIGS0H6DDHHP7H73H/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>VW's 2.0 litre turbocharged four cylinder engine, as just one example, has found its way into VW, Audi, Seat, and Skoda vehicles from the Golf to the Tiguan, the TT to the A6 -- and beyond.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475251269353-GRKTPO9FNK5WJVB4JH5R/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>Panasonic GX85 intrigues me for its no-overheating, no-recording time limit, 4K-shooting IBIS capability, $698  [B&amp;H|Amazon]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475251475365-9A5CT4JEURX9J65U4JBD/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>It looks like Panasonic's just-announced but not yet shipping takes the GX85 and then makes it better by adding a fulling rotating rear LCD, a version 2 of the IBIS, mic input, and optional battery grip  [B&amp;H|Amazon]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475412707095-Y2V6M95BR2FQAP04UY4K/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>Sony Z150: a video-only tuned version of the RX10 Mark III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1476712641491-8MJ31ACACKPQQHDTJ430/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>Sony a6300 with Sony E 50mm f/1.8 OSS sitting atop Sony Z150. I love comparisons!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475421478717-16YYMDL9RKK592YID10O/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>Panasonic's UX 180 is a brand-new challenger to the Z150, priced slightly higher. $3,495 at B&amp;H.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475421191293-C98C8WNV5KV4KV1RJ2OE/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>The Sony NX100 has the same body and lens as the Z150, primarily giving up 4K recording for a price that at $1,699 is just about half.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475423451021-9K41A05UAGC6ND5CM24F/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475675271992-QTBMQBRWJHG1X7ZGLHDD/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>Blackmagic Design's URSA Mini might be a better choice for landscape stock footage or indie production, $2,995 body only at B&amp;H. Then you'll want to add the viewfinder, and CFast 2.0 cards, $364.95 a pop for 128G at B&amp;H.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1476728199697-GITZARC4MZ60937YP363/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>I don't love the ergos or the weight (and I'd love to see the a6300's sensor in it), but I love what Sony's FS7 can do without adding on anything, including internal 10-bit 4:2:2 4K recording using XAVC-I.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1476728365539-48I7DG6SHV0PEVXH3I5W/image-asset.png</image:loc>
      <image:title>All Posts - Sony's Z150: Son of the RX10 III and the FS5 -- and  Shockingly Good. But You Shouldn't Be Surprised</image:title>
      <image:caption>The Sony FS5  [B&amp;H|Amazon]  is twice the price of the Z150, and a couple of thousand less than the FS7 before you contemplate adding on RAW capability. I prefer the FS5' size, weight and form factor, but what I really want is an...FS3. Hey, if Sony can take the guts of an RX10 III and put it into a dedicated video camera, then Sony can take the a6300/a6500 sensor and put it into a baby brother to the FS5 and charge less. You know what? I'd give up RAW and 10-bit for that.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/10/8/rx100-mark-v-first-images-thoughts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475952520227-SE56YDAS23CTVEPX3TWM/image-asset.png</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>The RX100 Mark IV  [B&amp;H|Amazon] was already a technological tour de force. But the new V...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475952544276-FFD3DP0DGKUKF5425QU9/image-asset.png</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>...is even more so.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475939707722-Y4RI97GVE1EDOO89XMXA/image-asset.jpeg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>ISO 6400, f/2.8, 1/200 JPEG, auto exposure shutter priority (I set the shutter speed), high speed burst, slightly cropped. Lovely - at this kind of viewing distance..</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475942509927-WOS2Q5G99N5N9RIJSU2G/image-asset.jpeg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>ISO 200, f/2.8, 1/30, JPEG, intelligent auto exposure, high speed burst:this is an example where the intelligent auto made a trade-off independent of the subject matter. Simple enough to change, which I did (below); sometimes, appropriate -- especially when artistic license kicks in. After all, a little motion blur can be a beautiful thing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475954236048-7YPTZXQIEWZGXYQGOFKF/image-asset.jpeg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>Fair use: THIS is a decisive moment, one of the most famous by the photographer who coined the phrase, Henri Cartier-Bresson. Copyright 2010 Henri Cartier-Bresson/Magnum Photos.  Scanned from "Henri Cartier-Bresson The Modern Century," Copyright 2010 The Museum of Modern Art. The RX100 Mark V is a radically superior image capture machine compared to the Leica with which Cartier-Bresson took this photograph, but in the end this grainy, slightly blurred image taken almost 85 years ago proves that it's not the machine, it's the person. And that technical perfection is NOT always the goal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475942729658-YX9B5ZAU44WAFUQGPUCA/image-asset.jpeg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>ISO 4000, f/ 2.5 1/640, auto exposure shutter priority (I set it), high speed burst. I didn't spend any time with the scene choices, but there's probably sport mode in there somewhere. Is this art? No. But it makes the point.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475939760091-699AWO568417NOX5W4EW/image-asset.jpeg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>ISO 5000, f/2.8, 1/200 JPEG, auto exposure shutter priority, high speed burst. Look what it can do but --  is this a decisive moment? Only after the fact. It's a decisive edit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475939861603-PXIHRRO70BI36NATNZW2/image-asset.jpeg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>ISO 5000, f/2.8, 1/200 JPEG, auto exposure shutter priority, high speed burst. If this were a UFC mixed martial arts match, it would be incredible -- and the RX100 Mark V is an incredible technical achievement.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475939919365-SYQ9C6R7NCNIEYLHIE8P/image-asset.jpeg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>ISO 500, f/2.8, 1/200, JPEG: manual exposure, single shot. I like this image better because it is a chosen moment - a decisive moment. It's what I intended. Bonus: I found it right away on the LCD panel, because it was one of only three shots remotely near each other in time, and each was very different.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475940042917-X3LKV11J3BTVCUEEUDWO/DSC00953.JPG</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>ISO 250, f/1.8, 1/30, manual exposure, single shot. Good dynamic range, but I wish I could blur the background much more. It was the light itself that was interesting to me.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475940088881-XQ9HLJPTZ8KNOQIAB88N/image-asset.jpeg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>ISO 6400, f/2.8, 1/40 JPEG, manual exposure, single shot, a model on break. I should have gone shallower, but it still wouldn't have been shallow enough for my taste.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475940125802-8EW26BNVRYEOHN29TS2A/image-asset.jpeg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>ISO 2500 1.8 1/30, JPEG, manual exposure, single shot. I love the sensor; I like the lens. Did I mention I wish I could go even shallower? I believe I did. Remember: f/1.8 on a camera with a 2.7 crop factor will yield depth of field equivalent to a full frame's f/4.9. Having much more reach would be another way of getting there.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475959076243-EZY6ZG8BBP1JAJYBDKX7/image-asset.jpeg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>That's my mother's Leica IIIa on the right, bought second-hand from Bauhaus trained photographer Hilde Hubbuch, similar to the one used by Henri Cartier-Bresson.  This is the camera that introduced me to photography. On the left, my Sony a6300 with kit lens for size comparison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475959144825-TP1TJV5ENH97KYB2PX23/DSC00251.jpg</image:loc>
      <image:title>All Posts - RX100 Mark V, Part 1: First Images, First Footage, First Thoughts (What Would HCB Do?)</image:title>
      <image:caption>Can you imagine an a6/RX1R II/RX100 V mashup? Whoa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/9/21/secced-reach-plus-1-tripod-imitation-is-the-sincerest-form-of-flattery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474723176485-6QC8D1Z3AFEE6170RIR5/image-asset.jpeg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
      <image:caption>Secced Reach Plus 1 tripod kit on the right; my Cartoni Focus HD on the left. Similar, but very different. the Secced can also be had with a mid-level spreader which definitely stiffens the upper stage when extended to maximum height.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475174712853-6OWFXSYP2YMHRHKNEH1X/image-asset.png</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
      <image:caption>From left to right, priced low to high: brand-new Sachtler Freddie Wong Signature edition, $783 at B&amp;H; Secceed Reach Plus 1, $999 at B&amp;H; Sachtler Ace L GS CF Tripod System with Ground Spreader, $1,035 at B&amp;H; and Sachtler FSB-6T with 75CF Tripod and Mid-Level Spreader, $2,025 at B&amp;H.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474724975934-CG6G4T6MJOQ0KER9GR4V/image-asset.png</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
      <image:caption>Sachtler's Video 18 S2 is a monster with a 20kg (44 lb) max payload and a much more finely grained set of adjustments than the Secced SC-DV6. It also costs $4,950. And completely worth it, in my book, if you're working with a camera that demands that kind of robustness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474723797430-85I9V5WMPKE0UC4IRSQX/63000483.jpg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474723799951-LDSWGQHCK9UK4AL4Y1HY/63000485.jpg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474723801141-6BMH7L34TKAZNXB804O5/63000486.jpg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474723802718-L799W7QBRAIYSMATOLJQ/63000488.jpg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474723916482-INXWKPSSSS55AF682FN1/63000484.JPG</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474725381557-B0VT4F901MNJ89H0UI4Q/image-asset.jpeg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
      <image:caption>The Secced really does channel the FSB-6T.  Cartoni has a side mount QR plate (Sachtler and Secced offer variants like it), but I much prefer the Touch &amp; Go. If I'd never seen the Touch &amp; Go, the Cartoni QR system would have been more than fine -- in fact, it has never failed.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474724143543-KJIVA5UNRJZ5X6NO5IQY/63000478.jpg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474724144562-2XFMXHY8FIAGATTDWLZ8/63000479.jpg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474724146177-LTH3U75OJ36WUIH32S93/63000480.jpg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474724233288-DB86QKUA9TASVXSCNK3B/63000494.jpg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474724233228-G8R1NLPTDS30415ZUM62/63000495.jpg</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474660682909-WQBZBLJ81Q320ZNVCA1A/image-asset.png</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
      <image:caption>Sachtler 0450 FSB-6T Head with 75CF Tripod and Mid-Level Spreader, $2,025 at B&amp;H. This is the original, and still  very appealing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474660788572-Z3YYE1VQAQMRXANBSFGM/image-asset.png</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
      <image:caption>Cartoni Focus HD Fluid Head &amp; Two Stage 3- Tube Aluminum Alloy Tripod, $1,820 at B&amp;H. It is more rigid, aided by its mid-level spreader; more expensive; and feels heavier than the Reach 1 Plus, but the fluid head controls and quick release plate aren't as nice as on the Secced. I may like the operation of the Secced more (except for the locking mechanism of the legs), but the Cartoni is a better choice for heavier packages at maximum height and load.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475177876089-MH8HGAMG47F4DQ53ALKQ/image-asset.png</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
      <image:caption>Sachtler's Freddie Wong Signature edition is very aggressively priced, $783 at B&amp;H.  Having not seen it in the metal nor finding a complete set of specs, I really can't say how it's different from the regular Ace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474664850685-E44EK8C9OG35S0A03J7K/image-asset.png</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
      <image:caption>Manfrotto makes fine products. I own a 502A head and can vouch for it. I've never used these sticks. $577.99 from B&amp;H or Amazon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1475178605028-E2CZ5DGZ0N1HKCPRNGX4/image-asset.png</image:loc>
      <image:title>All Posts - Secced Reach Plus 1 Tripod: Inspired by German Company Sachtler, Priced by Chinese Capitalism - But No One's Sitting Still</image:title>
      <image:caption>Benro Dual Stage S7 gives up click detents and lever locks to get to this price  -- $350 [B&amp;H|Amazon] -- but Benro makes a more than decent product.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/9/27/were-giving-away-a-came-tv-argo-3-axis-gimbal-winner-will-be-announced-october-14th</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-27</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/9/21/sony-fs5-raw-upgrade-a-conversation-with-and-footage-by-doug-jensen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-21</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/9/20/2016-travel-camera-of-the-year-a-plane-ticket</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474402608833-JXZ3TUHM5IBUTETY1F49/image-asset.jpeg</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>300 year old farmhouse Sinalunga, Italy - iPhone 6s Plus hand-held, ISO 25, f/2.2, 1/950</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474402814394-TZ6U3VATJC45VQ081N28/image-asset.jpeg</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>Siena - iPhone 6s Plus, hand-held, ISO 80, f/2.2, 1/17</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474397849983-1OM8JGRN95GFFIZKBNI7/image-asset.jpeg</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>Giotto's Bell Tower in Florence, Italy - iPhone 6s Plus, hand-held ISO 25, f/2.2, ISO 2747</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474397924133-G2XX1HNFG1ABJHS4OXG6/image-asset.jpeg</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>Il Duomo in Florence - taken with an iPhone 6s Plus after climbing several hundred stone steps and fighting back a panic attack inside the Tower. Hand-held, ISO 25, f/2.2, 1/1972</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474398124425-38VQX11F5BEWQEW6WBRZ/image-asset.jpeg</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>BMW Museum, Munich Germany - taken with an iPhone 6s Plus, hand-held, ISO 32, f/2.2, 1/33</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474403116432-RSAVEFXA9QV6MGL14D6G/image-asset.jpeg</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>BMW Headquarters, Munich - iPhone 6s Plus, hand-held, ISO 25, f/2.2, 1/2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474398595725-JY72WLWRYV6IA9T7LTE5/image-asset.jpeg</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>Marienplatz, Munich - taken with an iPhone 6s Plus, pano, hand-held, ISO 25, f/2.2, 1/1789</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474403287509-MSEGGPOFVFPZHKJPSJMX/image-asset.jpeg</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>NS Documentation Center, Munich - iPhone 6s Plus, front camera, hand-held,  ISO 32, 2.65mm (all other rear camera shots at 4.15mm), f/2.2, 1/606.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474393984341-CX5IJJJQPCUZ84KXXL73/image-asset.jpeg</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>Circa July 2000. My travel camera back then (I lived in Europe from '98 - '01) was the same as my everything-else camera: a Canon EOS 3 35mm film camera, usually with Canon's EF 28-70mm f/2.8 L. It captured some of my favorite images of all time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474394445207-CX7AGOYIQUM7TF1ERSIJ/image-asset.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>The EOS 3 sat just below the legendary EOS 1n. It was my last film camera. It had 45 AF points and eye control, which allowed the user to simply look at where he or she wanted the camera to focus, and it would recognize it. When you look at its specifications, it may strike you as thoroughly modern (including EF mount, E-TTL flash system and 1/8000 top shutter speed) except for the lack of a digital sensor and everything that comes with it. Mine also had a battery grip. All told, my "travel" setup weighed about a shade over 5 pounds (51 oz for the body, grip and batteries and another 31 oz. for the lens with hood). The body alone takes up about 1,389 cc's of space, give or take. I preferred Kodachrome slide film back in the day (ASA 25) or even Ektachrome (ASA 64). The closest thing to it today is Canon's 5D Mk IV, a vastly more capable image capture device with a price tag of $3,499 [B&amp;H|Amazon] .</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474395651900-9QYR9TQS00QM62O3W8M4/image-asset.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>The Canon 28-70mm f/2.8L was the predecessor of Canon's 24-70mm f/2.8L II. Both remain legendary zoom lenses.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474397008767-0KLZ047KAU7Z2JDZHF5Q/image-asset.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>I replaced the EOS 3 in 2002 with the original Canon 1D, a 4 megapixel digital camera with a top shutter speed of 1/16,000 and a top ISO of 3200. The rear panel was 2" diagonally with 120,000 pixels. I loved it, but the digital merry-go-round began almost immediately thereafter: over the next years, I moved to the 10D and then 30D before settling on the 5D Mk II. Each one was my travel camera, coupled to the 28-70/2.8L. Today's equivalent, the 1 DX Mk II, is again a vastly superior camera, the only hybrid of which I'm aware that shoots 4K DCI at up to 60fps (oh, yeah: it also has a top ISO of 409,600 and 14fps in stills).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474395836008-RSFH1EC25EJSA9QXYZJY/image-asset.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474398922657-61TM2D80DLRT6UTGX128/image-asset.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>The RX10 Mk III is a massively accomplished all-in camera for $1,498 with a full frame equivalent built-in 24-600mm zoom. At $1,498 [B&amp;H|Amazon] it's not cheap, but I think it's unmatched at the price for flexibility including 4K recording. If I had to bring one camera to cover the widest possible range of contingencies, this would be it. But I'd miss the shallow depth of field that only prime lenses -- for now -- can give you.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474726617316-9289F0W6I55ONKNCL32B/image-asset.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>The FZ2000 was announced at Photokina, and on first blush it seems to be Panasonic's version of Sony's RX 10 Mk III updated with those things we'd want in a Mark IV: built-in ND, 10-bit, 4:2:2 4K via external recorder; and full articulating touch screen. Yowza. It has a 20.1 mp 1" sensor (you have to wonder if it's the same one in the Sony). Looks like it's going to be a couple of hundred bucks cheaper, too - but it's not yet listed on the B&amp;H site.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474399287004-74RPFZH7HVSUSTKR3QG0/image-asset.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>For just under $800 with kit zoom lens [B&amp;H|Amazon] , this little brother to Panasonic's GX8 offers interchangeable lenses, 4K recording and Panny's 16mp micro-four-thirds sensor. The sensor doesn't wow me (although it's better than any smartphone's), I don't love the Panny zoom lenses (but better than any smartphone's), it doesn't have a headphone or a microphone jack, but it's petite and less expensive than my go-to camera these days the Sony a6300, it has in-body image stabilization, it doesn't overheat - and if you want to buy better lenses for it, you can.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474399610587-VMSVB4G9444KH4CQ38U4/Screen+Shot+2016-09-20+at+3.26.28+PM.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>I haven't gone hands-on with it yet, but the M5 is an intriguing camera, perhaps Canon's first serious entry into the mirrorless space. At just under $1,000 for the body only  [B&amp;H|Amazon] ($!,497 with an EF-M 18-150mm f/3.5-6.3 IS STM lens, 28-240mm full frame equivalent), it's still missing 4K recording and I'm not-yet-quite-sure-what-else (how good is that electronic in-body image stabilization, for example?), but with the sensor of an 80D, a newer Digic 7 processor, physical controls and a touch interface which just might be lovely -- and an adapter allowing it to take any EF mount lens including a wonderful selection of primes, it just might be a hit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474400230705-OD6CCI821RLRNWBSY3BD/image-asset.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>I played with the diminutive RX1-R II at a Sony press conference, and with the 42mp sensor from the a7r II and a built-in 35mm f/2, it was enticing: keep it simple, work with what you've got, and whatever images you do end up liking, you can put them up as murals. But at almost $4,000 for a niche product [B&amp;H|Amazon] it's very expensive: you could buy trans-atlantic tickets (economy class) for three people -- or rent a Tuscan villa -- with the same money.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474400559329-1IV40YHJQ5VO3HBKQP9T/image-asset.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>At $4,250 [B&amp;H|Amazon , the Leica Q is an even greater object of lust even as it is more constrained than the Sony - it's also a full-frame, fixed lens camera, but with a 24mp sensor which no doubt yields lovely results at enlargements up to maybe even A3, you still can't enlarge the final image as much as you can with the Sony. For the same dough you could buy a beater and road trip across the entire U.S. You might not be comfortable, but you could do it. Route 66, anyone?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474396510328-DGD17AEO6LX423JT43LY/image-asset.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>Apple's latest iPhone 7 Plus sports two lens/12mp sensor units which are full frame equivalents of about 28mm f/11 and 56mm f/12. This already gives it more flexibility than the RX1-R II or Leica Q for field of view, but both blow it out of the water for depth of field control - unless the new software which Apple promises will simulate bokeh works really, really, really well. The iPhone 7 Plus is dramatically smaller and lighter than everything else here, and since it doubles as a phone and pretty impressive computer. I want one (I'm getting one). But I don't need it because I already have the 6s Plus. If Cartier-Bresson could capture iconic images with a Leica III and a 35mm or 50mm (his usual combo) back when even ISO 400 was exotic, how can we complain about just about any camera we have today?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474727530507-561ZCRPD6SY3BSIO247J/image-asset.jpeg</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>The Eye Witness series of travel books is just about the best in the business. Here's the well-worn cover of the one we used while in Italy (cover shot hand-held with a Sony a6300 with Sony E 50mm f/1.8 at ISO 400, 1/160 f/3.2; very slightly cropped left and right).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1474728023454-EVNUII88G77X7928IFRZ/Screen+Shot+2016-09-24+at+10.39.06+AM.png</image:loc>
      <image:title>All Posts - 2016 Travel Camera of the Year: A Plane Ticket</image:title>
      <image:caption>And here's the image from the beginning of this post on the left, with the Eye Witness cover on the right, side by side in Lightroom, zoomed in equally</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/9/15/canon-eos-m5-m5-is-the-first-canon-camera-im-excited-about-since-5d-mk-ii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-21</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/9/13/canon-5d-mark-iv-snore-poor-or-more</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1473784519708-3QTIRV7KTBKWLZJHTL6G/image-asset.png</image:loc>
      <image:title>All Posts - Canon 5D Mark IV: End of the DSLR Era</image:title>
      <image:caption>Sexy time! Four and a half years in the making, the Canon 5D Mk IV body is now selling at B&amp;H and Amazon for $3,499, almost $1,000 more than the 5D Mk III. Worth it? Read on.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1473784935098-WD6EXWQ9JTYFWF31ALI6/image-asset.png</image:loc>
      <image:title>All Posts - Canon 5D Mark IV: End of the DSLR Era</image:title>
      <image:caption>Courtesy of Wikimedia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1473782102208-TSNCPRT7UF26MU52W7AR/image-asset.png</image:loc>
      <image:title>All Posts - Canon 5D Mark IV: End of the DSLR Era</image:title>
      <image:caption>DSLR technology is cresting, and the next technological wave -- mirrorless interchangeable cameras -- is just getting started. On the other hand, with the introduction of multiple lens/sensor units like in Apple's iPhone 7 Plus and Light's L16, it's clear to see what comes after that</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1473782348733-3WP8J7BRD0EHH3NQHTV9/image-asset.png</image:loc>
      <image:title>All Posts - Canon 5D Mark IV: End of the DSLR Era</image:title>
      <image:caption>For a nice precis on the evolution of the Porsche 911, visit Jalopnik.com, from which this image is taken. The 2017 base 911 starts at $89,400.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1473783160150-RAVXEE32DYPJ8HMSQBSD/image-asset.png</image:loc>
      <image:title>All Posts - Canon 5D Mark IV: End of the DSLR Era</image:title>
      <image:caption>All-wheel drive 2017 Subarau WRX is less than $30,000.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1473783706219-4UFXPSP4TV3379BRD62E/image-asset.png</image:loc>
      <image:title>All Posts - Canon 5D Mark IV: End of the DSLR Era</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/8/14/its-time-for-summer-cleanup-so-im-giving-away-an-aputure-dec-lensregain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-14</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/8/2/three-days-with-a-pile-of-e-mount-lenses-an-a6300-an-a6000-an-rx10-iii-an-iphone-6s-and-a-couple-of-bags-what-better-way-to-stress-gear-than-at-a-presidential-nominating-convention</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-09</lastmod>
    <image:image>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Monday night at the DNC: Sony a6300 [B&amp;H|Amazon] with Zeiss Batis 18mm f/2.8  [B&amp;H|Amazon] at f/5.6, 1/15, ISO 800.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Screen grab off highly compressed web video from April at a campaign rally, Sony FS5  [B&amp;H|Amazon] with e PZ 18-105mm f/4 [B&amp;H|Amazon].</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470160293002-TNBBKXRGQ92QBBD8N2VM/image-asset.jpeg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Sony a6300 with Sony FE 70-300mm f/4.5 G OSS. The lens lock (center bottom) is a nice touch; slip it into place, and the lens went extend.</image:caption>
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    <image:image>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Apple iPhone 6s+ with Schneider iPro case and lenses  [B&amp;H|Amazon]. Tenba Cooper 13 Slim bag [B&amp;H|Amazon] in background.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470161728654-SGI8LQZRUM5PYE23VUPB/image-asset.jpeg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Can't get much more compact than this for audio! See details below (all sitting on top of a Domke F-5XB shoulder/belt bag).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470162163794-6NIH38VIRKAAT8TDP6J5/image-asset.jpeg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Left to right, for size comparisons: Sony FE 70-300mm f/4.5-5.6 G OSS [B&amp;H|Amazon], Sony FE 90mm f/2.8 Macro G OSS, Sony FE 50mm f/1.8 OSS [B&amp;H|Amazon], Sony E 50mm f/1.8 OSS, Zeiss Batis 18mm f/2.8 [B&amp;H|Amazon], Zeiss Touit 12mm f/2.8  [B&amp;H|Amazon]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470163422563-MEFZP56J4HH7KQUEWFNH/image-asset.jpeg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Another view, clockwise, from 1:00PM: Sony FE 70-300mm f/4.5-5.6 G OSS (loaner), Sony FE 50mm f/1.8 OSS (loaner), Sony E 50mm f/1.8 OSS, Zeiss Touit 12mm f/2.8, Zeiss Batis 18mm f/2.8 (loaner), and in the center Sony FE 90mm f/2.8 Macro G OSS. The primary hole in the Sony E-mount lens ecosystem at this point are big, fast, native mount prime telephotos or something like the Leica Vario-Elmar 100-400mm f/4-6.3  [B&amp;H|Amazon].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470166810899-0917SJBQR45L3ISTVJ0B/DSC00198.jpg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Sony's new FE 50mm f/1.8 has full frame coverage but at $248 is $50 cheaper than one of my personal favorites, its APS-C crop sensor older, slimmer brother the E 50mm f/1.8 OSS. Image quality was very good, but it felt like a step back from the little E from an operational and ergonomic perspective: the E was quieter, faster, and felt a bit more solid. In fact, the new FE reminded me more of my old Canon EF 50mm f/1.8 II. The 70-300, I'll tell you right now, is a GREAT lens. The finish is a little different from the 90mm f/2.8 macro, but other than that they are comparably built.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470163857746-M8WGH4BVS163PZYQP5H7/image-asset.jpeg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>The full-frame Batis 18mm f/2.8 on an a7r II has the same field of view as its little brother Touit 12mm f/2.8 on the a6300. Other than the OLED display and without them being next to each other, it would be tough to tell them apart at first glance.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470163899592-H317WBD3VTP5MS6RHMZL/image-asset.jpeg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Both lenses are also surprisingly light. Autofocus is quick and quiet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470165276565-4AS57Q00FT87GDYME53K/image-asset.jpeg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Domke F-5XB is a very small, unassuming and very comfortable shoulder/belt bag, but it requires compromises when packing. Inside: Sony a6300 with Sony FE 70-300mm f/4.5-5.6; outside, Zeiss Batis 18mm f/2.8</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470165555679-ORWDR4UPEXQB6TWRO1UT/image-asset.jpeg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Peak Design's CapturePro [B&amp;H|Amazon] with MicroPlate [B&amp;H|Amazon] was the perfect solution: the camera and one lens would always hang off the shoulder strap, leaving plenty of room inside the bag for everything else -- and be that much faster in moving from awareness to shot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470166045952-99CZ7QMUZ3Z4VUSSPGNH/image-asset.jpeg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>The MicroPlate is smaller than the regular plate, making it easier to use Sony's tilting rear LCD panel. Unlike the regular plate, however, it only orients one way (notice it's wider than longer).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470167599253-A2WA4SFXR2YITTF55ZPO/image-asset.png</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Periscope is not much more difficult than twitter -- no setup involved -- making it an easier choice for me than the other app I contemplated, Wirecast Go.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470172614024-YP2JER84SI3UQPANJZLJ/image-asset.png</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>I've used RØDE Rec since I bought my first smartLav. It works well. Zoom, among others, makes a similar app.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
    </image:image>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
    </image:image>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
    </image:image>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
    </image:image>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
    </image:image>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>30th Street Station, Philadelphia. Sony a6300 with Zeiss Batis 18mm f/2.8: ISO 6400, f/7.1 1/1000th. No perspective correction, but obviously I converted to B&amp;W, where I find the noise less objectionable.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>From a platform at 30th Street Station: Sony a6300 with Sony FE 70-300mm f/4.5-5.6 G OSS at 70mm, ISO 125, f/11, 1/400; cropped</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Also from a platform at 30th Street Station, same gear and settings: Sony a6300 with Sony FE 70-300mm f/4.5-5.6 G OSS at 70mm, ISO 125, f/11, 1/400; cropped</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Apple iPhone 6s+ ISO 40, f/2.2, 1/30</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Domke F-5XB [B&amp;H|Amazon] on left, Tenba Cooper 13 Slim [B&amp;H|Amazon] on right. Peak Design CapturePro [B&amp;H|Amazon] lower left. The Tenba is my new favorite bag. Peak CapturePro is robust, especially when I'm only hanging an a6300 on it, even with a big lens!</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>I love the Tenba Cooper 13 Slim [B&amp;H|Amazon] ! Sony a6300 with Zeiss Batis 18mm f/2.8 attached and the Sony FE 50/1.8 sitting beneath it, next to it a Sony a6000 with Sony FE 70-300mm f/4.5-5.6 G OSS attached. Plenty of room for batteries, SD cards...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470232405665-AZKSOY9ENHQ9OR8BOJP7/image-asset.jpeg</image:loc>
      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>...and the little weather wrap. I've been known to throw things like this away, but I'm glad I didn't this time. Read on.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Let's call this Ballroom 1.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>That makes this photo Ballroom 2.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>iPhone 6s+ screen grab en route to Wells Fargo Arena and first night of the DNC.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Arriving at Wells Fargo Arena in the middle of a flash flood: iPhone 6s+, ISO 80, f/2.2, 1/10. There's a reason point &amp; shoot unit sales have dropped precipitously: who needs one when you have one of these?</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Racing through flash flood from the bus to the security tent at the DNC. iPhone 6s+ ISO 40, f/2.2, 1/15. Out in a jiffy, I didn't mind that it got wet. It was just fine. I think the Schneider iPro case helped.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Sony 500mm f/4.0 G: reach, speed and image stabilization in A- (not E-) mount, but it can be used with their LAEA4 adapter on E-mount bodies. The adapter's a very reasonable $348. The lens? That'll set you back just under $13,000.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Sony's 300mm f/2.8 G II is petite by comparison at 9 1/2" long and a shade under 5 pounds, but it doesn't have IS. Then again, it will only set you back $7,500 or so. It can also use the LAEA4 adapter.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>We were heading down the path of the 300mm f/2.8 with this Sony LAEA4 adapter, but Mark had another idea.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>Sony RX10 III  [B&amp;H|Amazon] would give me more optical reach than the 300mm f/2.8, yet at the wide end would go all the way down to a full frame equivalent of 24mm, besting the Batis 18mm on the a6300. I'd used it before and liked the set of trade-offs it represented, but until Mark suggested it I'd never thought of it in this context.</image:caption>
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      <image:title>All Posts - Three Days with a Pile of E-Mount Lenses, an a6300, an a6000, an RX10 III, an iPhone 6s+, and a Couple of Bags: What Better Way to Stress Gear than at a Presidential Nominating Convention?</image:title>
      <image:caption>At $1,498, Sony's RX10 Mark III is just about one-fifth the price and half the weight of the 300mm f/2.8 alone. Sure, it gives up a stop of light and uses a 1" sensor (still 20 megaixels). But for most of us, it's a much more reasonable set of trade-offs.</image:caption>
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      <image:caption>Left to right: Sony E 50mm f/1.8, Sony FE 50mm f/1.8, Canon EF 50mm f/1.8 with Commlite adapter. I wouldn't recommend the last combination - autofocus on a Sony body with any adapter just isn't great - but the real standout here is the E 50mm f/1.8 if you're using a crop-sensor body like the a6300.</image:caption>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/7/29/zacuto-bullet-proof-but-imperfect</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469887270628-MDMZ224OUQOLZT5H87S9/Screen+Shot+2016-07-29+at+4.12.19+PM.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Sony FS5 with RAW upgrade; Rokinon 85mm f/1.4 geared cine lens; Sachtler Ace Matte Box and Follow Focus; Convergent Design Odyssey 7q+; Zacuto Eye OLED EVF; Anton Bauer CINE 150 V-mount battery; and then everything to make it all hang together: Zacuto Recoil Rig (VCT Universal Base Plate, FS5 top plate, Axis Mini, FS5 Grip Relocator [not shown]), Zacuto Tripod Plate with front and rear rods, Zacuto , Zacuto Zamerican Articulating Arm V3 Small version to connect Odyssey to the top plate,  Zacuto Riser to match lens axis to matte box, Follow Focus with Z-drive [not shown], Switronix V-mount Battery Plate attached to Zacuto Zwiss Plate V2 for the battery. All mounted atop Sachtler Video 18 S2 fluid head and Speed Lock CF Carbon Fiber tripod. Cabling not shown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469894161399-CEWKTT8GMASBVP6O7STQ/Screen+Shot+2016-07-30+at+11.55.30+AM.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>The Z-Finder Pro with EVF was an indispensible piece of my kit - until I discovered mirrorless cameras.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469893687608-S4ST6VFHN7XI6BJT963M/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Sony FS7 with FE PZ 28-135 f/4, Atomos Ninja Assassin, Zacuto Gratical HD, Zacuto VCT Universal Base Plate and Tripod Plate, edelkrone FOCUS OnePRO, Sony XDCA-FS&amp; Extension Unit with V-mount battery, all mounted on Cartoni HD Fluid Head and Tripod</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469893088820-NJ4XIKOCJKMIU41SVNL2/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>iPhone rigs and accessories have shrunk dramatically  since I wrote Apple's iPhone: The Next Video Revolution last July.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469896895123-MTJFF4FLBD90AJJDDP5D/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>The Recoil Rig for the FS5 was my starting point for my FS5 RAW review rigging.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469920329048-SR6Y9S5JSUJPGABLOK6Z/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>I used to think the Cartoni Focus HD fluid head and tripod combo were massive, but compare the plate from it (foreground) to the VCT base plate which is also quick release (background). It's actually no comparison at all. Massive.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1471004182028-3IZR6Z1NOCVLF8KX25PX/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>The base plate is super-robust, but one price is limited travel of the front riser and the need to really lock it down with a pair of hex screws. With the FS5 and the Sachtler Ace Matte Box, this meant I needed a separate riser to line up everything else.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469917662515-GB04QX6F6EGB8PSX1O7L/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Once you dial everything in, it's easy enough to tighten the base plate's mounting screws to the camera with a narrow flat bladed screwdriver. But "easy enough" doesn't mean easy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469917919054-OLR89OCEOIPKVXN4J1BO/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>These are renderings of Zacuto's updated VCT Universal base plate with sliding deck dating back to NAB 2014, so it's been a long time coming. According to Zacuto, this will finally be available about now.  I'm betting it's a big improvement, and I'm looking forward to getting my hands on one to test.</image:caption>
    </image:image>
    <image:image>
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      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>FS5 Top Plate is available separately, $112.50 at B&amp;H.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469919375015-KCIFKXQZISQZA2PNDF3H/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Once you remove the focus pin and cable guide (less than 30 seconds for both) and screw down the four machined screws which attach the top plate, it's a rock-solid addition, at one with the camera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469919453330-W9GEPPSA82UY6B4YKS6G/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>The whole purpose of that top plate in this instance is access to that 90° rod clamp so that I could attach the Axis Mini EVF mount for the Gratical Eye.</image:caption>
    </image:image>
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      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>FS5 Grip Relocator vailable separately for $332.50 from B&amp;H.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469920568964-4G0CVM7YFIP8GOO5TSAH/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>You can't really see it from this angle, but the grip extension on the FS7 requires a screw driver to adjust length.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469897286748-WA19T7SNF9J4WIPBLYDU/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Axis Mini EVF Mount available for $332.50 from B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469918842321-692JYZTT3XLSK5YUH0UD/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469897412138-SJ0DE7CLF8E97BF6XE8U/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>VCT Tripod Plate available for $270 at B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469919759948-DVZJ5ZD5PIEB5J7PVSOW/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>The combination of the VCT Universal base plate and tripod plate when locked together conjures language like "brick sh**house."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469920008838-8HI5VSC1OGKGP9IRJBB7/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>It's only when you compare it to the excellent Sachtler Ace Base Plate that you begin to get a sense of how robust and massive the VCT twins are.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469897533884-CVJEKAPBO8IYVEWHHGEM/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Zamerican Articulating Arm V3 Small Version 6" available for $185.25 at B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469906932337-H385CJ35GFANU5TK7VR1/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469906981404-I5QCOMUY3B76IX6T90GB/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Just in case you couldn't make it out in the photo above, here's another shot showing how the inner lip of the Zamerican quick release clamp prevents a rod from passing through.  I really like this. Also note how the two little arms are different lengths - that's because I screwed them in to different depths.  This approach (rather than, say, using the clamp to also lock them in place after positioning them better) makes it very hard to put them exactly where you need them to prevent twisting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469902709293-WT9DZAOZIIPPW6LLTN4L/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Good idea: the Zamerican Arm relies on what is essentially a quick releaseso that you don't futz around screwing and unscrewing an entire monitor into a 1/4" 20 socket. The problem in this case is that the equivalent of a second tripod screw or the kind of lip you find on something like a dedicated ReallyRightStuff L-bracket --these two little 90° holders -- are too difficult to line up for every situation. I think this needs a redesign, even as I recognize it's impossible to anticipate every combination of gear or mounting points.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469918742633-66ADW3SWZNOGYJJP54NM/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>But with this written, once you screw the heck out of the QR clamp, that arm is just outstanding.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469897655361-KQSM9M4F3DHG26XR61N8/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>QR Riser available for $98.10 at B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469909575375-5LON2YBMR26WRM0XW53I/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>As you can see in this photo before the QR Riser arrived, the camera sat too low relative to the matte box. It's just one example of the challenge faced when mixing and matching gear from different manufacturers. It's no one's fault: it's impossible to account for all possible combinations. Properly lining up the follow focus and matte box also required me to locate the FS5 all the way forward, creating a pronounced tilt even with the counter-balancing weight of the Anton Bauer battery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469909223390-LOZ2RYJIQLH0SBP6254F/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>The riser did the trick in placing the lens in perfectly alignment with Sachtler Matte Box (not shown). But...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469909327497-SK05RVFVNGTA9N872CJU/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>...although it worked just fine, I'm still a little queasy at the the thought that the only thing keeping this heavy lower plate, battery, rod system (and matte box and follow focus, not shown) together with the camera is one little twist lever.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469897990769-PBTYHBWJO98SI4MEJBXG/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Zwiss Plate v2 available for $166.25 from B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469909066780-L6COVZV2HOMS1WHCVD8H/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>I love to be able to write "it just plain works" as I can for the Zwiss plate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469909102773-9DQ11ZXQWS16T4IZXZZ9/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>The Zwiss Plate is only as wide as it needs to be to mount the battery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469898094431-AO9UTI9IQSWNSQ1GMR81/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Gratical Eye EVF available for $1,950 at B&amp;H.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470331533920-3FXHQT9NZDQIPA9C4Z1C/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Zacuto makes a dedicated cable for the Eye which combines SDI with D-Tap, meaning that's one less cable you have to worry about.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470331729604-U5DUI4NXL5AMGLBQISF9/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>On the other hand, it's not particularly long: with the Small Zamerican Arm, I could position the Odyssey 7q+ far enough way from the Eye that the cable was the limiting factor rather than the Arm itself -- and there may be times where you really do want a monitor a bit further away from the left side.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469908837814-V0KLQHYY1LG6QT3O6IHZ/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>The combination of the FS5 top plate, Axis Mini EVF Mount and Gratical Eye really extend the scenarios in which the FS5 can be used on the shoulder. The only fly in the ointment is that I couldn't find the right balance with this particular set-up when also using a matte box and follow focus -- I needed Zacuto's not-yet-released update to the VCT base plate with sliding deck.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470754232013-QTDHZ2YCOYS4LFPJPOL9/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>This is the only button on the Eye, but it's more than that: it's a joystick, and works beautifully with a very rich Zacuto menu system. including focus and exposure assists (with my favorite, false color) and the easiest to use LUT function I've ever seen. It's the first one, in fact, I'd actually use. I suspect you're a little more advanced than I am when it comes to LUTs if you're reading this far.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469898223599-EQP6VM0ZMPQA479GC405/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Z-drive with Tornado Grip manual follow focus available for $744.09 at B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469914111154-AEJCICJU2HI1L9S9SIK5/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Z-Drive with Tornado grip on the left; edelkrone FocusONE on the right. There is zero slack on the Z-drive because of that universal joint, and it has a heft and silkiness to it that the edelkrone doesn't approach. Can you get the job done with the edelkrone? Yes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469914289352-T05HDC8CFKRBX8JIZ8OY/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Never mind that I don't even have a geared lens mounted - that's not the point. The point is that the Z-Drive is a truly original follow focus designed for run 'n gun one-man band operation, interestingly enough a scenario less appropriate for all of the other gear here. I've removed the Tornado grip which is intended to complete and complement the Z-Drive as part of a two handed rig and reversed how it would then be pointed - away from the body. It really is brilliant.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469914539679-HFYIDN3K2ISUYF4G0UHB/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Here's the Z-Drive side by side with the edelkrone, Tornado grip removed. It's almost as compact as the edelkrone, but again it's in a different league. At $261.25 for the grip alone and $522 for the Z-Drive by itself (the edelkrone is $199 on the edelkrone site) it ought to be.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1471005743118-DN3I4V2QLIQ20BJPOOK7/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>But nothing's perfect, and the two tightening levers which attach the Z-Drive to the 15mm rod can get in each other's way. Sure, these are spring-loaded levers that can be lifted and turned so that you can get them as tight as you need, but this is a good example of where upping the design will pay dividends in the user experience and perception of thoroughness of design courtesy of real world feedback.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469895097570-QPN8PVHDKOKZ30NBFWKN/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>The Gratical Eye is beautifully designed and built in the U.S. Am I the only who's reminded of Fritz Lang's 1927 METROPOLIS?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470754571745-XNJCJR46WS4X2HNAMUDE/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469915007306-U7MJ78XYIASJ2JZXSXDC/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Or maybe the speakers at one of the last drive-ins in Ohio? Shot on a Sony a6300 with E PZ 18-105mm f/4 at 103mm, ISO 100, 1/200, f/4,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1470754686477-R9A6L4BAJ7KEJ0C5HKPY/image-asset.png</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>How about the Death Star?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469898732103-AMQRPU7W8W8W1UCV8UV3/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>At the April rally. That's the FS5 with kit lens on a Benro Monopod. This image was captured on an iPhone 6 and cropped like heck. Sure the IQ is poor -- but not poor enough to prevent anyone from seeing what's going on.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469899367851-UPFNWNRGCKZZ6644FMRB/DSC00193.jpg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Sony FE 70-300mm f/4-5.6 on Sony a6300 at ISO 6400, 1/250, f/5.6, clear image zoom 2x (900mm full frame equivalent), hand-held: astounding what technology can do. I was in the cheap seats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469899644047-4MNADM0CMRENVEN7Q4CT/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>iPhone 6S+ with fixed built-in lens, ISO 80, f/2.2, 1/15th, 4.15mm, hand-held. Did I just write "astounding?" I believe I did. These are transformative technologies which incent a company like Zacuto to move higher up the value-added chain to a smaller but more professional audience.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469900248407-6Y5ALF4YSS0YPSYFCSYO/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469900560938-DY6Y4FJ5AN1W7LMTRFZ7/image-asset.jpeg</image:loc>
      <image:title>All Posts - Zacuto: Bullet-Proof but Evolving</image:title>
      <image:caption>Press weren't allowed in this particular meeting, but there were no prohibitions for members of the audience taking photos or videos. Shot on Sony RX10 Mk III, ISO 6400, 97.49mm, 1/100, f/4, hand-held.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/7/18/smartslider-reflex-s-variable-drag-in-a-robust-yet-light-slider</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468873105725-4P8ORDOSKQCPFMPYKX8F/image-asset.jpeg</image:loc>
      <image:title>All Posts - SmartSLIDER Reflex S: True Fluid Drag in a Robust Yet Light Slider</image:title>
      <image:caption>First time I've seen fluid drag on a slider. I double-checked to confirm it really is fluid drag. Confirmed directly from SmartSystem: "The reflex s has the fluid friction instead of the old version (reflex without s) that has an old friction system." Just make sure the brake is turned completely off, and don't adjust the drag until you've got your camera and head attached to the tray.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468873148940-6FZMVK2BHJ7Q2JNZ83ZI/image-asset.jpeg</image:loc>
      <image:title>All Posts - SmartSLIDER Reflex S: True Fluid Drag in a Robust Yet Light Slider</image:title>
      <image:caption>SmartSLIDER Reflex S is elegant to look at (well hey, it's made in Italy), but what makes it appealing is its rigidity and controllability.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469631661104-EWUWAUR8S4D27JMGG9LU/image-asset.jpeg</image:loc>
      <image:title>All Posts - SmartSLIDER Reflex S: True Fluid Drag in a Robust Yet Light Slider</image:title>
      <image:caption>Multiple mounting points in the center and at both ends - nicely robust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468873184348-1AY22WY7V7KLW1DNAOAQ/image-asset.jpeg</image:loc>
      <image:title>All Posts - SmartSLIDER Reflex S: True Fluid Drag in a Robust Yet Light Slider</image:title>
      <image:caption>The SmartSLIDER Reflex S relies on shaped rails -- which, I suspect, like creased sheet metal in cars makes them much stronger than just tubes (then again, judging by the weight I'd say they're also thicker than some rails I've used) -- and the tray itself is especially robust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1469636236332-FVYUROOS7F6LFK1M9JG5/image-asset.png</image:loc>
      <image:title>All Posts - SmartSLIDER Reflex S: True Fluid Drag in a Robust Yet Light Slider</image:title>
      <image:caption>A nicely padded carry bag is available for $193 on Amazon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/7/18/sachtler-ace-follow-focus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468855641427-EAGCE4YKOS8JUS16W4JM/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Ace Follow Focus: Exceptionally Straightforward and Complete</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468855786914-S9RO82RPWFZDTU7NIHVE/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Ace Follow Focus: Exceptionally Straightforward and Complete</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/7/13/sachtler-video-18-s2-fluid-head-crazy-expensive-crazy-good</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468434168210-SPZ1M3SHTWMZIFT54XX8/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>Sachtler Video 18 S2 is by far the best -- and most expensive ($5,250)-- fluid head I've ever used. Ditto for the sticks, Sachtler Speed Lock CF ($1,890)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468412735481-HXFA9F7BQ6E1DIYP1NR4/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>On the left, my Cartoni Focus; on the right, the Sachtler Video 18 S2. Both are great for their intended purpose, but the Sachtler aims higher.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468413099207-V3BAO7D7KUKABN9UEZML/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>From left to right: Benro A48FD monopod with S2 head (well under $200 for the pair), old Cullman aluminum tripod with integrated mini ball head (closest thing to it still in production is probably the $80 Cullman Nanomax with Ball Head), Gitzo G1128 Mk II Carbon Fiber tripod (closest thing to it in current production is the GT2542 Mountaineer at $869) with Arca-Swiss Monoball Head ($320 at B&amp;H), Sachtler Video 18 S2 atop Sachtler Speed Lock CF (100) legs, (set for $8,010 at B&amp;H). I use the Gitzo/Arca-Swiss and/or Cartoni Focus to shoot most of my reviews or out in the field and the Benro when covering live events. I recently handed down the Cullman -- super light-weight and compact, perfect for iphoneography -- to one of my children.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468413934899-VF5UZEILM3JD8U0L7RXE/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The quick release camera plate on the Video 18 S2 is locked into a massive base, surrounded on all four sides.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468414197505-FDABXB9HWX5A1SXV5VI9/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The Cartoni quick-release plate is locked in from the side in a robust but multi-piece base . It uses a threaded screw and a spring-loaded post to prevent twisting. I've always loved the side release - quick, easy, secure, but en toto the Sachtler design is superior.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468414622324-HD10UYHJMI0XSZA144NN/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The camera plate release lever on the Sachtler requires a little more work than the Cartoni and is a little more awkwardly placed, but the end result justifies the effort.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468415147566-89MHB2CNLJJDFT13PM8D/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The design team knew that tripod screws get lost, so they added three threaded holes at the end of the base into which the camera plate locks and include 3/8", 1/4" and pin replacements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468415263772-TKEYQLRIE63UPKYOR6WS/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>If you have to remove the camera, you lift it out of the sliding and lockable base, thus preserving the exact set up you've slaved to get right. Can't do it with the same precision or repeatability on the Cartoni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468415653707-GVHF0Q5MF12HTR4PDH67/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468415705419-27KV8WR6PVVXUP0JE64V/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468416155599-R0JK97LVR8TXHUQ0AE96/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468415835848-4HJQTKTPVL6D5USLJOJJ/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The one thing that the Sachtler maybe doesn't do quite as well as the Cartoni is switch on the bubble level light. You have to press the bubble itself -- a good idea -- but you have to press really hard. On the other hand, when it goes off, it just doesn't go off: it dims itself. Looks like someone insisted on a touch of artistry. Lovely.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468416656922-MARPL2L6ALSEY0GTA38B/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The lighted bubble level on the Cartoni is easier to see and easier to switch on, but that might be because the Cartoni can tilt a full 90° -- the Sachtler doesn't go quite as far.  The pan drag on the Cartoni is the rubber ring just below the bubble level that reads "FLUID" -- it's not as easy to grip nor as precise as the Sachtler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468416418160-ZIN61CJ6KX15G9JLFOHP/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The Cartoni is beautifully built and beautiful to look at.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468416459788-28NFOJ3UGNNV208LM36D/DSC00003.jpg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The drag controls are easy to engage, though the locking levers are smaller than those on the Sachtler -- and less easy to unlock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468416573397-QEZMI7VKAOQPVQAPUT02/DSC00004.jpg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The pan locking lever, like the tilt locking lever - is small and therefore requires more force to unlock it. Sachtler levers are larger and better placed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468417146804-PDTN9MEUYNQVEFBVC1PI/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>Both the Sachtler Speedlock CF and Cartoni feature 100mm bowls, and both have sturdy, quick set legs (Cartoni uses two stage legs, Sachtler three).  The Cartoni legs are larger diameter and appear to be very robust aluminum, while the Sachtler legs are made of carbon fibre and narrower. Because the Sachtler uses three stages, it can go both a touch higher and a little lower than the Cartoni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468418847995-VXLW4FCNVIR7157O5KYO/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The Cartoni's leg locking mechanism is a bit different, but I've grown to like it. The lever hinges up/down rather than left/right as in every other lever locking tripod I've ever seen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468419012535-P61VP9HVPATKB7IL59QZ/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The Sachtler locking mechanism is a bit different too, but it still a left/right orientation. I think it's a little easier to pinch your fingers this way, though it hasn't happened yet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468417315356-RARIADAE234ABTKR7THQ/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The Sachtler sticks came with the Speed Lock, a very clever, faster and easier way to level  and lock the head in place than the traditional style knob ti down on the Cartoni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468417613283-IRYG1JZMRD21DIF5W6P4/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>There's nothing wrong with the mid-level spreader on the Cartoni. It's lightweight and it works.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468417754852-WB4U1Y8TZJZTNHPJ295Z/DSC00017.jpg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>But the Sachtler spreader is more robust, more polished, and spreads a bit wider.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468418119672-MBWXQ1OGQEVF6Z9PK43Y/DSC00008.jpg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The Cartoni feet plant firmly and are micro-adjustable. When you unscrew a foot, a pointed tip is revealed for better purchase in grass dirt, ice, etc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468418405071-PMAZQP31K6T62KDGN5NH/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The Sachtler uses very heavy duty rubber loops on its feet. Pull the loops up, and you can remove the feet immediately to reveal not one but two spikes at the end of each leg. Again: clever, quick, robust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468434951022-2F7WAVP8IYNLKIDPC5SI/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>The Arca-Swiss ball head is a gold standard in still photography, but essentially useless for video, much to my chagrin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468435608534-G99IU29LHTQVAZ1LL03O/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>My Gitzo 1128 Mk II Carbon Fiber tripod is gorgeous: small, light, sturdy, elegant - but like the Arca-Swiss ball head, simply not designed with the videographer in mind. Even if not designed for video (no bowl!), I still love it and occasionally mount a Manfrotto 502AH or Benro S2 head to it!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468435104814-Z9BWZR6DW2A3XD8RUB7W/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler Video 18 S2 Fluid Head: Crazy Good, Crazy Expensive</image:title>
      <image:caption>Twist locks are easy enough on the Gitzo, but for video lever clamps are better.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/7/12/does-it-ever-make-sense-to-spend-25-times-more-for-a-matte-box-how-about-100</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468344510311-8BLCWCN5QBBBFFJN11TQ/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>On the left: Sachtler Ace Matte Box with Sachtler Ace Baseplate. On the right: Neewer Matte Box with Neewer DP500 15mm rod kit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468345364521-PDTY5N0X87HCMIPMBQ29/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>Sachtler on the left, Neewer on the right</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468345630392-L6E6XAO0BAUHP7E3YD6L/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>Sachtler Ace Matte Box comes with two different rubber donuts for different diameter lenses -- very nice --  but they may not fit your particular glass.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468408479760-54C38QGZL3NAFPNYJHFJ/image-asset.png</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>This is apparently called a "scrunchie," perfect as a very makeshift matte box donut. Sometimes. An 8-pack is about $5 on Amazon. Good thing I have daughters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468410661390-OYFFZYROEV21Y1049UWY/image-asset.png</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>LEE graduated neutral density filters</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468346681565-F4MV9WYQFS51FGU1VXVZ/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>The Sachtler has two filter slots, one of which rotates. It also has threaded mounting holes and buttons which lock the filter holders in place.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468346720781-L9EG9TLUBLU0SU6RVK44/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>It comes with four filter holders, two of each size.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468347101117-BZ9FGWVPJ4Z9PQL6C7HE/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>The Sachtler flags and matte box itself are made of high quality plastics.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468347300220-Z6XY703SEBQU2L1D60RZ/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>Like its companion base plate, the Sachtler only needs one support rod clamp to attach the matte box via the rod bridge.  The Neewer uses two.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468347504140-9ENUIZKRW9FU7SR8UGZN/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>The clamping levers which attach the Neewer matte box to the rails -- unlike the rod system itself -- are made out of plastic, and there are two of 'em. Then again, the Neewer matte box weighs all of 210g, vs. the Sachtler's 954g, and that third lever in the center gives the Neewer one huge functional advantage over the Sachtler: it's height adjustable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468851220194-KRKMK2WD9ITYOZ4COXF9/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>The Sachtler Ace Matte Box, Follow Focus and Base plate accessory kit ($1,350 at B&amp;H and Amazon) is perfect in almost every way with a camera like the Sony FS5.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468851272416-H69T7G7SR7FT9AO0D1GH/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>It's robust, lightweight, does the business, and looks beautiful with the FS5. But...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468851310248-YYFEG4CKWIFC4N78A7CR/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>It's marred only by the fact that the matte box itself is not height-adjustable, and the base plate -- which is height-adjustable -- doesn't allow the rods to sit quite low enough to make up for the lens mount to camera base height.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468851352722-81UVQCA6SK4U9TKV8W5O/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>It's easy enough to use a cloth donut or even do a little McGyvering by performing some surgery on one and then gluing on a  second Sachtler rubber donut ($22.50 at B&amp;H) or perhaps choosing from a whole set of Redrock Micro donuts to do the same thing ($19.95 at B&amp;H). There's not much leeway with the Rokinon 85mm f/1.4 cine lens (75mm diameter), though it didn't get in the way of the image. But there are even larger diameter lenses you may want to use, and this may become problematic. Everything about the Sachtler screams "perfection," so this is a touch disappointing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468348371748-HNZKD5PDWPVAJZ2YP2TL/image-asset.jpeg</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
      <image:caption>Sachtler Ace Matte Box with Ace Baseplate in the back, Neewer Matte Box with DP500 rod system in front.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1471723535824-BFLF2GFVMWGX349BC1RP/image-asset.png</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1471723850055-AS2IRVKFRVNOAJAX0YVQ/image-asset.png</image:loc>
      <image:title>All Posts - $500 Sachtler Ace Matte Box vs. $20 Neewer Matte Box. Yes, It Makes Sense to Compare Them.</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/7/9/blackmagic-4k-video-assist-basic-4k-recording-wrapped-in-a-robust-all-metal-case-with-beautiful-touch-interface-and-a-couple-of-bugs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468096964835-WUBZLIW3Q1R79WWXP0UQ/image-asset.png</image:loc>
      <image:title>All Posts - Blackmagic 4K Video Assist: Basic 4K Recording Wrapped in a Robust All-Metal Case with Beautiful Screen, Excellent Touch Interface</image:title>
      <image:caption>Very clean and intutive touch screen interface</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468077681692-3JTU6XK682Q7B0QVROFH/image-asset.jpeg</image:loc>
      <image:title>All Posts - Blackmagic 4K Video Assist: Basic 4K Recording Wrapped in a Robust All-Metal Case with Beautiful Screen, Excellent Touch Interface</image:title>
      <image:caption>Blackmagic 4K Video Assist mounted to Sony FS5 via Zacuto Zamerican Articulating Arm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1468097084371-1A46ZQFLJASGOF4FULZP/image-asset.png</image:loc>
      <image:title>All Posts - Blackmagic 4K Video Assist: Basic 4K Recording Wrapped in a Robust All-Metal Case with Beautiful Screen, Excellent Touch Interface</image:title>
      <image:caption>The 4K Video Assist saw 4K out from the FS5 as 1080p; it had no such problem with HDMI.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/6/28/sachtler-vs-fotga-why-the-heck-would-someone-spend-348-for-a-baseplate-rods-when-you-can-get-a-perfectly-usable-kit-for-60-this-is-why</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467315288361-OTHFESDEMFLI9TGOQDFW/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Amazing what you can do with very little money: Canon Rebel SL1 with Canon EF-S 55-210 STM lens  [B&amp;H|Amazon],  CamRanger wireless controller feeding an iPad as a monitor, FOTGA DP500 rod system, Neewer matte box, and a Zacuto Z-Finder Pro; a friend's '54 GMC pickup; and a friend of the family as the on-screen talent.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467323154908-UXPRN94RUB861J0PBKD5/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Yeah, it wasn't remotely mounted correctly (though it is set up perfectly for a catastrophic metal fatigue failure).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467315233707-8VPLU83RNB1F42IYHFX7/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Screen grab: matte box made things much better, but yes, I know how much of  a difference a high quality lens would have made.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467315512839-WR3TGG1KDOXVMWZDP37P/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Screen grab: still, not bad for a $300 zoom lens!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467315655879-EARIX4CTCWUHKI05GBCE/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Screen grab: telephoto compression and a dissolve with camera, lens and editing software (Final Cut Pro X) which together are much less expensive than some matte boxes. I make no claim to competence.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467315983876-EFCNIWVT1MN6ZFT7WKAK/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Taken with my Sony a6000, moments before the FS7 with FE PZ 28-135 f/4, Zacuto Gratical HD and Atomos Ninja Assassin went crashing to the floor. Amazingly, other than a demolished lens hood, everything worked perfectly. The massive Zacuto VCT Universal Base Plate did the business, but I found the upper weight limit on my Cartoni Focus the hard way.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467316406744-5C32E6LOOXQ4XHGDH1FI/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Sony FS5 with Veydra 85mm T/2.2 in E-Mount with Cinegears wireless follow focus. The FOTGA was just a little too bendy, a little too...scary to try this again. Love the camera and the lens, though.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467384892313-G9DT9TC0FXC0GFV1L4SS/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Left to right: Zacuto VCT Universal Baseplate and Tripod Plate, Sachtler Ace Base Plate, and FOTGA DP500 equivalent (notice that the FOTGA locking clamps are separate assemblies).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467384692872-K6MXHM1FI59PA891QZ0M/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Left to right: Zacuto, Sachtler and FOTGA. They all use 15mm rods, they all rise to about the same height -- but that's pretty much where the similarities end.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467384731752-IJCV0X41L0TFC8LNDNLI/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Left to right: FOTGA, Sachtler, Zacuto. The differences in robustness and intended payload are pretty clear. The FOTGA is two basic assemblies: rear rod clamps plus combo tripod and camera plate with riser, and front rod clamps with adjustable lens support.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467384844213-OW8Q0F120461SLG8NS3S/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Left to right: FOTGA, Sachtler and Zacuto. Increasing number of mounting points, larger surface area to spread the weight.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467385439175-OFE4IYMOUI13592NFL1F/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>An extra pair of 1/4" 3/8" mounting screws, screwed right into the Ace just waiting for you in the event you lose yours.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467385573510-P4QJC0EE0ZEW1XGD5XZE/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Differently shaped and sized locking levers for different purposes on the Ace: smart, appropriate.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467396006266-M84FGHHVTV6L7D6MEO97/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Are there even better ways to retain precise location when you remove camera from tripod? Yes (how are you going to see this when the camera obscures the view?). But the Ace is a heckuva lot better than many. Stay tuned for episode 4 on tripods.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467386445954-P61UTS3QNEGUVFPNMJZ2/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>I'm not quite sure how Sachtler did it, but one lever tightens all four rod clamps - and even when set at its lowest, it doesn't get in the way of the camera body.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467386243130-WL8XK5KOUI5IKASC34C5/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>One small lever locks the adjustable height Ace, securely clamping two very substantial, diagonally offset riser posts. Beautiful.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467386791353-7UQDTX7574JUUCPR1DZI/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Simple, robust enough for small cameras -- the FOTGA is perfectly adequate .  It can work with Super35-designed lenses like the Veydras and a manual follow focus like the edelkrone FocusONE, but I wouldn't recommend it for use with large or full frame geared cine lenses with high torque follow focus motors. Matte box comparo coming up in Goldilocks episode 3.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467386909396-74XRBUDQVNH09B4OCKYK/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>The FOTGA is even elegant in its own way -- but only when it comes to aesthetics.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467387285288-3SJ95DVJGG5R4GIM9KXL/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>The fact that the FOTGA uses a separate set of clamps for the rod attached only to the rods -- as opposed to part of the baseplate itself -- contributes to its limited utility for all but the lightest cameras. Which is fine, if you're using a light camera. But having the locking lever mounted between the rails is sub-optimal. Which is also fine if money is tight.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467387541274-EHPI8QYODHCG8GUF538N/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>The camera baseplate and tripod plate are held in place by this single locking lever with also doubles as the locking lever for the height adjustment. The good news is that you can reverse their orientation so that they sit over each other to better balance the load. The bad news is that it makes it even tougher to tighten the tripod screw or adjust the height. I'm not knocking the FOTGA - it and others like it will do the business under the right circumstances. You just need to be clear about what those circumstances are.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467387893182-Q45LY0ML4GVN1CZFH66B/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>The Sachtler Ace baseplate is industrial art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467388076229-UR6U696L38Q3GAMHCHNG/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Zacuto VCT Universal Baseplate (with built-in shoulder pad) atop the matching VCT Tripod Plate are the papa bear of this trio. Even so, there are dramatically bigger heavier-duty, vastly more expensive things like this out there for even heavier payloads.  I can't go there.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467391397094-LKCF5YZVLHS04KLGZ67A/DSC00019.JPG</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>"Four clamping points? We don't need no four steenkin' clamping points! Two for the front, two for the back if you need them." The Zacuto is a beast in every way (including requiring hex drivers to change the height of the front rod clamps. But once they're in, they're IN(.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467393585881-OBPV5ZBDX095XVR40YXN/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Interestingly, the rear rods on the VCT -- which are likely to carry  heavier loads  like a V-mount or Gold-mount battery -- need to be threaded. Makes sense to me.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467391593632-PAM2TKNMZQ0GNFI9A6GL/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>This is the Zacuto VCT Tripod Plate. It makes standard quick release clamps look inadequate. Go back up to the first or second photo in the article to see just how big this sucker is.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467391744251-YYGW6LPU60YNYXN8C0TH/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>The Zacuto VCT Universal Baseplate is YUUUUGE compared to the FOTGA and even the Sachtler. Those 1/4" and 3/8" screws will break before the VCT does.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467325740777-JMIV6RYXSI8AOZ4XA3I4/image-asset.png</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>THE Arca-Swiss, a standard in the ball head world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467392697004-DC8IRWMSRF2CLYDJMCUD/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>Taken on its own terms, the FOTGA can contribute to superior footage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467392801938-FFVNF7JLEU2X4PGWHV3Q/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
      <image:caption>The underside of the Sachtler Ace base plate is the best angle to appreciate the forethought and complexity that goes into its design: many mounting points, robust, solid metal riser rods, differently sized and shaped levers fit to purpose, elegantly shaped core block - wow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1467393016849-CJG665UTPU85Q5K00IPM/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sachtler vs. Zacuto vs. FOTGA -- or Why the HECK Would Someone Spend Five to Ten Times as Much on a Freakin' Baseplate When You Can Get a Perfectly Usable One for $60? THIS is Why.</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/6/25/hasselblad-x1d-is-this-the-camera-that-will-save-hasselblad</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466863993733-RQMFRUCD9GVUI1QZ7XXV/image-asset.jpeg</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
      <image:caption>Hasselblad X1D is one third the price of its full-boat bigger brother H6D-50c, even though it has the same sensor and software user interface.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466872305269-Z8EMQYKYLPRU2DII5HO6/image-asset.jpeg</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
      <image:caption>At the X1D's launch in New York City's Meat Packing District the same day as the live stream from Gothenburg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466865522914-FC88EZZHG8D53A6HP6O4/image-asset.jpeg</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
      <image:caption>The X1D is surprisingly close in size to Sony's a6300.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466872059955-2SQ1ERPTFB2KKOBUEMW1/image-asset.jpeg</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
      <image:caption>The a6300 is just 100g lighter. That's Sony's E 50mm f/1.8 OSS lens on it, yielding about the same field of view as that 90 on the X1D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466873543881-BXG7R7DYUNX7KTQ4JJCD/image-asset.png</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
      <image:caption>Clever design cue on the top plate is an optical illusion intended as an homage (well, I think so, anyway) to the original 500.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466866627012-Z9O4FCMW3NY5NFR9B1GF/image-asset.jpeg</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466866721445-QT8FYN1QHBNU9B7AFADW/image-asset.png</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466866575190-V6I17TYEJTYDH5CBDKJ6/image-asset.jpeg</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
      <image:caption>No aperture ring, depth of field scale, nor true manual focus (you can focus manually, but the new lenses are still fly-by-wire), mean the X1D is not aimed at videography application even it it records 1080p/24fps video.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466869087100-M0D3N2IK0MXFTR1Q4TDJ/image-asset.png</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466869662135-ZMYFUZI068BOU2E0AH9F/image-asset.png</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466869158209-DEIZ0QZOO26W92V5TNLZ/image-asset.png</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466869485632-ENEYC466K66EA7QSMVG1/image-asset.png</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466872484068-36Q5YQK8V8DL11U2L6VR/image-asset.png</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
      <image:caption>I'm pretty sure that's a Canon 5D in silhouette. The message? Big sensors rule, and Hasselblad has figured out how to put it into a dramatically smaller form factor than the usual DSLR suspects. Subtext: you have an alternative to Canikon. Sub-sub-text: we want new Hasselblad shooters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466872801846-U51QQWQRCYA0KF8J2TD9/image-asset.png</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
      <image:caption>This is incredibly expensive to a Canon 5D, Sony a7, or Panasonic GH4 user - but it's CHEAP to a Hasselblad shooter. Hasselblad is looking to expand its market.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466873062575-XPR8VLVYTYA3S4F3OBSS/image-asset.png</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
      <image:caption>The X1D is a deliberate stills camera emphasizing high image quality, with video almost an afterthought - just like the original Canon 5D Mk II.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466891157559-5LU0IP54OE2RN0NYZJ04/image-asset.jpeg</image:loc>
      <image:title>All Posts - Hasselblad X1D: Is This the Camera that Will Save Hasselblad?</image:title>
      <image:caption>Photo by Chris Gampat.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/6/22/if-you-want-to-understand-the-hasselblad-x1d-in-a-single-image-this-is-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466602609149-FZV02NW9BNWW0AI79ECY/image-asset.png</image:loc>
      <image:title>All Posts - If You Want to Understand the Hasselblad X1D in a Single Image, This is It.</image:title>
      <image:caption>At 725g (camera with battery), the X1D is about 100g more than a Sony a7r II, yet crams in a much larger sensor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466602846471-0SXYJWBT0Z9KWS21BA3Q/image-asset.png</image:loc>
      <image:title>All Posts - If You Want to Understand the Hasselblad X1D in a Single Image, This is It.</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/6/2/why-came-tvs-argo-3-axis-gimbal-reminds-me-of-1956s-invasion-of-the-body-snatchers-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465955038231-SGEMK1WMAVUR1Q2PEM8P/image-asset.png</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
      <image:caption>CAME-TV's Argo 3-axis Gimbal, $1,288 at CAME-TV directly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464895862252-M8DND2TXG0F6CA9NHTND/image-asset.png</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466020633373-4YKUJI4FK0MCNH296D1H/image-asset.jpeg</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
      <image:caption>The 5.8Ghz transmitter is mounted to the bottom of the gimbal, underneath the QR plate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466020716285-F115MJ7VRB2Z76JHL314/image-asset.jpeg</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
      <image:caption>You run an HDMI cable from the camera to the transmitter, which has a mini-HDMI port.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1466020784618-FN0WWR9L6Y6E5HYFQWPW/image-asset.jpeg</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
      <image:caption>On the opposite side of the transmitter, power is supplied to something like a wireless follow focus via P-Tap. For the right audience, this is a nice upgrade. Flip side? Notice how QR lever is up against the gimbal cradle - this isn't a problem if the camera doesn't have to be located this far over, but it's a big problem if it does.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464895898479-F5P6OHBHNKE60YRDJ86R/image-asset.png</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464901823772-1YK1MADTZ5N20WX131LH/image-asset.jpeg</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
      <image:caption>Argo comes with a 5.8Ghz wireless transmitter with built-in D-Tap, and a rod for follow focus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464901998756-76IKLB0QPOCUDQPSTOJ7/image-asset.jpeg</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
      <image:caption>The Argo's stand is dramatically better, too.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464901537732-074K3YPU6TLIPZA8WBUA/image-asset.jpeg</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
      <image:caption>The Argo's quick release levers and battery are clearly fashioned after those of the Ronin-M, some of the best in the business - but they don't operate the same way.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464901595916-C0APNJD0TOLIDIYBEMZ6/image-asset.jpeg</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
      <image:caption>There's a very robust connection between the battery and the gimbal itself, but when charging the battery you have to contend with this set of wires. INVASION OF THE BODY SNATCHERS - CAME-TV's technology is still in transition!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464901715888-TAMTBZ1GIULM98GFDPUO/image-asset.jpeg</image:loc>
      <image:title>All Posts - CAME-TV's Argo 3-Axis Gimbal Reminds Me of 1956's INVASION OF THE BODY SNATCHERS. Cool!</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/6/7/follow-focus-comparo-cinegears-vs-aputure-vs-edelkrone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465333382774-VCKRS8L02IDHNCGCY3TO/image-asset.jpeg</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>From left to right: Panasonic LUMIX GX8; Aputure DEC LensRegain; Canon 50mm f/1.8 II; edlkrone FocusONE Pro; Sony FS5 with 18-105 kit lens; Cinegears Espresso Mini Controller; Cinegears Wireless Focus Controller; Cinegears combination gear motor/receiver</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465397394443-1G89NUXC0I7CKDFHVOVH/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Cinegears Single Axis Express Kit, $1,989 at B&amp;H.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465397455820-QFGB1P6COG2WC7XK2D1X/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Cinegears Wireless Mini-Controller, $1,199 at B&amp;H. You can't tell from this one photo, but if you look at the photo I took at the top, you'll see just how small this is compared to the standard controller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465405080247-BNWJ49B9U3K82JKGX27Z/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Sony FS5 is my favorite dedicated video cam. $5,599 at B&amp;H and Amazon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465397877221-Q6PIK13U9ZCJWQ5D4WX8/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>My favorite cine prime lens line, and now my favorite lens within the Veydra Mini-Prime line-up: the . It can do things no non-cine geared lens can do, and it does it a fraction of the price of the usual suspects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465398212838-HDOZF5TTJUIM9D4V3E0W/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Aputure DEC Lens Regain in MFT mount, $586 at B&amp;H, $589 at Amazon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465398438520-LPE158Z3MQN9WM1M8966/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Panasonic GX8, $997 at B&amp;H, Amazon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465399136348-WC6FMBEYMZQZIR5C6EQV/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Canon 50mm f/1.8 II on left (discontinued but still available for $125 at Amazon), newer Canon 50mm f/1.8 STM  [B&amp;H|Amazon] on right, also $125.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465473614018-BGWOSLSCZZKOKJP0IMP8/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>edelkrone FocusONE: an updated,simplified version of the original FocusONE PRO</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465403258877-ZCEACKGXHWFK5IKFMM6G/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>1/43 scale Audi TT roadster first generation on left; second generation on right. Yep, I'm a recovering car guy, too.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465481952685-T6RCV81Q7S7CA5DGYHBL/image-asset.jpeg</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Cinegears attached to Veydra 85mm T2.2 Mini-Prime in Sony e-mount on Sony FS5 - killer combo. But my no-name cheapie rod system has got to go: it was so bendy that the whole camera shook at the beginning and end of each pull when operating at anything other than slowest speed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465473774240-9FKWN16YYLXESW4QOPEQ/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465415867141-QXYFOIUY3D8ALB0XEJ57/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Awesome battery from Anton Bauer CINE 150 V-mount (Gold mount also available) with PowerTap connection, $576 at B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465482010685-XHN5TCX5US9NQCNXYUXG/image-asset.jpeg</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Aputure's DEC LensRegain system [B&amp;H|Amazon]  takes advantage of built-in motors and electronics of mirrorless camera bodies along with Canon EF and EF-S lenses to deliver wireless follow focus and aperture control in a lightweight, ergonomic setup PLUS focal length reduction for less than 1/3 the price of Cinegears. But read on: it is NOT that simple.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465416084727-0CYQGK5LOSETJ2XIBP7H/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Aputure DEC LensRegain, available in Sony E-mount and MFT mount for use with Canon EF and EF-S lenses, $586 at B&amp;H or Amazon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465506670554-RAPGMFH2KUS1GNUC0S20/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Low-light visibility on the DEC LensRegain is superb (ditto on the receiver - they both use LCDs)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465482961410-9A50FZG9OF3QAW07ASWD/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465417174650-T8QI72WNHFYHM1QUBYTQ/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>This is the older edlekrone FOCUSONE PRO Follow Focus, one of the most beautiful manual follow focus units I've ever seen (no longer available).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465417301403-UYSLW7G0RSJK00AZ8GDG/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>edelkrone FOCUSONE follow focus replaces the FOCUSONE PRO: lower price ($199), less slop in the gears, easier-to-read reference marker, but it's not quite as adaptable in positioning and...what happened to a second marker point?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465472966897-4TBY25OKVRD453K769DB/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>DJI's wireless follow focus system, perfectly suited to both the Ronin-M gimbal and DJI's larger drones, between $1,899 and $1,999 at B&amp;H and Amazon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465473389101-0MXMGVWFR4ENK6W76Z1C/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Redrock micro's Scout HX, $2,199 at B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465501820525-P4FLHGKZM4NN3DOMJAM3/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Sony FS5 with Veydra 85mm Mini-Prime: love the combo, but lateral chromatic aberration (purple fringing) noticeable as we racked focus (note the glasses).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465501764926-JD53JZ6MD3J33X6R2YWZ/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Magic Bullet Looks chromatic aberration plug-in. My skills were too modest to eliminate the LCA without introducing it elsewhere in the image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1465502776002-N43L6QBCEB9AUVUKTFNG/image-asset.png</image:loc>
      <image:title>All Posts - Follow Focus Face-Off: Cinegears vs. Aputure vs. edelkrone Starring the Sony FS5, Veydra 85mm T2.2, Panasonic GX8, and Canon EF 50mm f/1.8 STM</image:title>
      <image:caption>Sony FE 90mm f/2.8 Macro G OSS on Sony a6000 (I still love this little guy): no visible LCA as I rack focus (check out Claudia's glasses for comparison).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/6/1/french-production-house-bigfly-does-incredible-aerial-footage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-01</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/5/28/sony-rx10-mark-iii-takes-on-an-a6300-with-zeiss-batis-85mm-f18</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464461682003-BWAM90TFRVCQX1LCV8SP/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464461807363-QB675D4RFFQKMSRQPD8A/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>RX10 Mark III above, a6300 below. Note much thicker body and grip of RX10 Mark III. Then again, that's a single focal length 85mm lens on the a6300 (including lens hood), but a 24-600mm (35mm equivalent) on the RX1o Mark III!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464466121337-WZA18KTDXCIH65ZS24K6/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>The RX10 Mark III feels big next to the a6300, but downright petite compared to a Canon 1D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464466192749-209SHGWPM59URJLTGZTE/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>RX10 Mark III really does fall to hand much more nicely than the a6300 -- especially movie start/stop and placing a spot focus within the frame using the rear dial.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464527207054-AW0XOKTK0VKFYFV0W63N/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Little things make a big difference on certain kinds of shoots: imagine having to take your camera out of the gimbal, off the tripod, or out of the cage every time you need to change a memory card. Think: a6300. Then again, you're more likely to do any of these things to change the battery, in which case think: the a6300 AND the RX10 Mark III, since both use the same battery accessible only from the bottom plate. This is one reason why their bigger brother, Sony's FS5,  is the best "no futzing around" ILC video camera for the money out there. IMHO, anyway.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464466754930-FP0F0GZL28VD0J5JS7AE/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Fascinating that the RX10 Mark III has a headphone jack, while the a6300 doesn't. And yet...smart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464466265266-TAZNUHR4FPDDFDIV7DZH/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>LCD panel on top plate, just like olden days of the Canon DSLRs. I like it!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464467157183-O5OKRTHD3HH75Z6DKEVQ/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Aperture ring on the lens barrel itself. Yay!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464467190010-1TASYWV2Y5ZP9PSF30DX/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Sony RX10 Mark III has a huge focal range. $1,498 at B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464535773123-Z2HDIU3W91XQ8P44WA2F/image-asset.png</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Sony a6300 with Sony E50mm f/1.8 wide open on left; on right, Sony RX10 Mark III wide open on another day. I just couldn't get close with the RX10 Mark III, using as much of the long end as I could while preserving low noise levels (jacking up the ISO would have lightened the image but as I was already at max aperture it wouldn't have helped in that regard). This may not matter to you as much as it does to me, but make sure that's the case before you decide which way you want to go.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464466807734-7X21LZ00M6BRV5K8WFGZ/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Zeiss Batis 85mm f/1.8 on left, Sony FE 90mm f/2.8 Macro G OSS on right. Both are stellar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464460761643-TFVCEQRQKS76HDZY2ZIZ/image-asset.png</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Screen grab from 4K low light test (all video shot in XAVC-S)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464460659099-R3T0MVBM9YE647G14LW2/image-asset.png</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Screen grab from 4K rolling shutter test</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464527945922-W8XGC1WLEUIBTG8EHCEJ/image-asset.png</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Screen grab from RX10 Mark III, 480fps at 1080p, RX10 Mark III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464460956115-NR8OSVLVL5IJGUAQ0Z8I/image-asset.png</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Screen grab (cropped) from 4K crazy spur-of-the-moment pooch walk video, Sony RX10 Mark III. This was hand-held at 220mm (600mm 35mm equivalent). Wow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464458386810-WBUB20987ZY614XO1BTK/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Sony RX10 ISO 500, 1/1250, f/4, 54.57mm (~150mm, ~f/11 35mm equivalent). This is SHARP, with beautiful color.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464458602533-H2UD44LC43LGIX52XDM8/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Sony a6300 with Zeiss Batis 85mm at ISO 100, f/1.8, 1/1600 (~127mm, f/2.7 35mm equivalent). Sharp and cream-a-licious.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464458857234-UE8GQG1UUC47X7XU6ZKA/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Sony RX10 Mk III, ISO 1600, f/4, 1/1250, -.7 EV, 167.98mm (~455mm, ~f/11 35mm equivalent). Sharp, contrasty. Colors are a little cooler here (auto white balance on all).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464459357916-UCO81JQP0Z678R80Q4S8/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Sony a6300 with Zeiss Batis 85mm f/1.8, ISO 100, f/1.8 1/1600. Gawd. PS: no artificial lights on any of these, no light shapers. Definitely warmer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464463626320-A3IVJ5FJBAKBQ80CT4XP/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Sony a6300 with Zeiss Touit 12mm, ISO 100, f/2.8, 1/500.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464460032898-BLAU8PJRR7CPLJBDTZE5/image-asset.jpeg</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>RX10 Mark III, ISO 320, 75.77mm, f/4, 1/1250, -.3 EV. I love the tele compression.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464538109506-KYZVATCFYRS3FAB2UG48/image-asset.png</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Leica Q is a whopping $4,250, but when I held it in my hands at PhotoPlus Expo '15, ooooh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464538264589-IZSXQ9TCEU9YJQW229FH/image-asset.png</image:loc>
      <image:title>All Posts - Another Nail in the Coffin of Entry-level/Budget Enthusiast DSLRs? Sony RX10 Mark III Takes On the Sony a6300 with Zeiss Batis 85mm f/1.8</image:title>
      <image:caption>Held this puppy in hand at a Sony press briefing. Veddy niiiice. Same 42megapixel sensor as in the a7r II. But even at  $1,000 less than the Q, it'll still take a chunk out of your wallet at $3,298. The RX10 Mark III looks compelling by comparison to either, but then again - if you want one of these cameras, you don't want the RX10 Mark III. Which is fine.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/5/26/deals-up-the-whazoo-yep</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-05-26</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/5/23/suddenly-in-a-crazy-world-anton-bauer-makes-batteries-really-interesting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464005227887-Q9GVF4MEEY8NSQG7V3Z4/image-asset.png</image:loc>
      <image:title>All Posts - Suddenly, in a Crazy World, Anton Bauer Makes Batteries REALLY Interesting</image:title>
      <image:caption>Anton Bauer Performance Quad Charger, $989.10 at B&amp;H</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464005771518-RYBS602S0W948AC5WU15/image-asset.png</image:loc>
      <image:title>All Posts - Suddenly, in a Crazy World, Anton Bauer Makes Batteries REALLY Interesting</image:title>
      <image:caption>Anton Bauer Cine 150 V-mount Battery, $576 at B&amp;H</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/5/23/while-we-were-pixel-peeping-vr-blind-sided-us-or-did-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464008450651-VOOYFQHJ10BOI98CQ6TA/image-asset.png</image:loc>
      <image:title>All Posts - With the Arrival of VR, Pixel-Peeping Traditional Cameras Seems so...2015</image:title>
      <image:caption>Google Cardboard Kit by D-Scope, $16.95 at Amazon. This is the one I bought to try out with my iPhone 6s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464008770558-D9X4HG22I8LNXRDL383V/image-asset.png</image:loc>
      <image:title>All Posts - With the Arrival of VR, Pixel-Peeping Traditional Cameras Seems so...2015</image:title>
      <image:caption>Samsung Gear VR headset, $114.99 plus shipping at Amazon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464007999172-F36BOLWL81MZ4AFLXWN4/image-asset.png</image:loc>
      <image:title>All Posts - With the Arrival of VR, Pixel-Peeping Traditional Cameras Seems so...2015</image:title>
      <image:caption>360Heros Pro6 for $395 at Amazon (cameras not included)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1464008173665-2SLIJX7TO9Z113NRKQM3/image-asset.png</image:loc>
      <image:title>All Posts - With the Arrival of VR, Pixel-Peeping Traditional Cameras Seems so...2015</image:title>
      <image:caption>Kodak PIXPRO SP360 4K Action Camera Dual Pro Pack, $899 pre-order at B&amp;H</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/5/8/first-images-from-the-sony-rx10-iii-may-make-me-change-my-mind-about-super-zoom-cameras</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462732294595-WCZ1I7OH06U0ICRSU59W/image-asset.jpeg</image:loc>
      <image:title>All Posts - First Images from the Sony RX10 III May Make Me Change My Mind About Super Zoom Cameras</image:title>
      <image:caption>Sony's just started shipping the RX10 III, a 4K-recording, 1" backside illuminated stacked 20 megapixel sensor camera with built-in 24-600mm (!) 35mm full frame equivalent power zoom lens by Zeiss. It's $1,498 at B&amp;H, in stock now. Photo by Hugh Brownstone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462732529622-8J0MQFJ6A3W0RZXQ8LW6/image-asset.jpeg</image:loc>
      <image:title>All Posts - First Images from the Sony RX10 III May Make Me Change My Mind About Super Zoom Cameras</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462732475178-XPGB9AIICVDHSNHAX1S3/image-asset.jpeg</image:loc>
      <image:title>All Posts - First Images from the Sony RX10 III May Make Me Change My Mind About Super Zoom Cameras</image:title>
    </image:image>
    <image:image>
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      <image:title>All Posts - First Images from the Sony RX10 III May Make Me Change My Mind About Super Zoom Cameras</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/5/6/i-get-it-now-when-i-was-tapped-to-cover-a-presidential-candidate-at-a-rally-the-first-camera-i-reached-for-was-the-sony-fs5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462828012683-P52QFN88X6Y2NM97GZ7F/image-asset.png</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462646482786-SAM8ZCM5R5RVHCY3WXCZ/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462828186265-4YKQC3H7APV0C0N404KC/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462646706335-Z054KH48U934RTYFNB6T/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
      <image:caption>TASCAM DR70-D hooked into the sound board, with a pair of built-in mics running on channels two and three for ambient. Tip from Captain Obvious: a guy saying "check, check, 123" hours before a presidential candidate gets up to the mic and connects with his crowd isn't going to have the same level, so make adjustments.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462647408633-MH9KH43PADPKDSQQSCVE/image-asset.png</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
      <image:caption>Yeah, OK: an iPhone with digital zoom doesn't yield the best image quality here -- but it's what Claudia had on her. And it IS sort of a painterly look,  right?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462651554145-WH1CNYUKLBBHWK1TAI1Q/image-asset.png</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
      <image:caption>The built-in ND filter was a life-saver, and the 18-105 f/4 was plenty versatile, even providing nice bokeh (this and the following few images are screenshots from 1080p, straight out of the camera).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462651683530-8VMX7RLB4TER7BQGDZM0/image-asset.png</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
      <image:caption>That 18-15 was also plenty sharp, well-suited to purpose. Again, this was the color straight out of the camera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462651800184-YENLTN9QU00KUTE7SAZ7/image-asset.png</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
      <image:caption>I wish I'd had even more reach, but I did have my feet. Then again, the new 70-300 might have been the perfect complement to the rest of my kit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462651987318-53JHXKKZBYZWF85VDA1V/image-asset.png</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
      <image:caption>The a6300  with a Zeiss Touit 12mm f/2.8 was a perfect match to the FS5, but with an effective  full-frame equivalent field of view of 24mm, the 18-105 was pretty darned good at the wide end too.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462650197595-PQM7UVJL2ZLIO3OPY5JG/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
      <image:caption>Major freaking out right about this point -- not everybody else, just me. CNN guy took pity on me.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462730942660-0RWOIT4GW6J5WD8WXQUY/image-asset.png</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
      <image:caption>It looks beautiful, and if you don't have to use the buttons the grip fits beautifully too. The problem is: of course you have to use the buttons, and the only one that fall readily to hand is the grip release. For me. Your mileage may vary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462730289838-0KWSK8NPKCQVO0FTEM03/image-asset.jpeg</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
      <image:caption>Three fat rubber bands and some tape allowed the RØDE NTG4+ to fit snugly inside the Sony's mic clamp. There's got to be a more elegant solution.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1462731442898-A91QK8HW9K9KB6PWGFPG/image-asset.png</image:loc>
      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
    </image:image>
    <image:image>
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      <image:title>All Posts - Sony’s FS5 is the Best Get-It-Right, NO FUTZING AROUND Interchangeable Lens Video Camera for the Money Out There Today. Here’s Why.</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/27/sony-audio-gets-really-interesting-nab-2016-episode-8</loc>
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    <lastmod>2016-04-29</lastmod>
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    <loc>http://hughbrownstone.com/all-posts/2016/4/25/yeah-its-about-the-gear-but-its-not-about-the-gear-production-software-focused-on-people-from-studio-binder</loc>
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    <lastmod>2016-04-28</lastmod>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/25/this-is-the-most-inexpensive-way-into-gopro-based-vr-ive-seen-360heros-starts-at-199</loc>
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    <lastmod>2016-04-25</lastmod>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/25/hate-the-foam-in-your-pelican-case-meet-mycasebuilders-custom-foam-inserts</loc>
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    <lastmod>2016-04-25</lastmod>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/21/zeiss-batis-18mm-f28-nab-2016-first-look</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2016-04-21</lastmod>
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      <image:title>All Posts - Zeiss Batis 18mm f/2.8: NAB 2016 First Look</image:title>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/19/finally-ipro-case-for-iphone-6s-is-shipping-enables-the-full-monty</loc>
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    <lastmod>2016-04-20</lastmod>
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      <image:title>All Posts - Finally! iPro Case for iPhone 6s+ is Shipping, Enables the Full Monty!</image:title>
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      <image:title>All Posts - Finally! iPro Case for iPhone 6s+ is Shipping, Enables the Full Monty!</image:title>
      <image:caption>Apple iPhone 6s+, iPro case, iPro 2x lens, Manfrotto Pixi mini-tripod, RØDE Videomic Me, Las Vegas NAB 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1461156198682-3OT7CNXJT3TRCEAGXQRV/image-asset.png</image:loc>
      <image:title>All Posts - Finally! iPro Case for iPhone 6s+ is Shipping, Enables the Full Monty!</image:title>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/19/12-bit-4k-dci-recording-from-sony-fs5-for-600-whoa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-04-19</lastmod>
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      <image:title>All Posts - 12-bit, 4K DCI RAW Recording from Sony FS5 for $600 - Whoa.</image:title>
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      <image:title>All Posts - 12-bit, 4K DCI RAW Recording from Sony FS5 for $600 - Whoa.</image:title>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/16/hasselblad-could-teach-other-manufacturers-a-thing-or-two-about-user-interface-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-05-09</lastmod>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/15/oh-the-pressure-live-blogging-from-nab-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-04-15</lastmod>
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      <image:title>All Posts - Oh, the Pressure: Live Blogging from NAB 2016!</image:title>
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    <loc>http://hughbrownstone.com/all-posts/2016/4/13/conversation-with-hasselblad-ceo-perry-oosting-hes-better-than-you-may-think</loc>
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    <lastmod>2016-05-09</lastmod>
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      <image:title>All Posts - Hasselblad Get Its Mojo Back: a Chat with CEO Perry Oosting</image:title>
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      <image:title>All Posts - Hasselblad Get Its Mojo Back: a Chat with CEO Perry Oosting</image:title>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/9/sony-a6300-low-light-video-test-vs-sony-a6000</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-04-10</lastmod>
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      <image:title>All Posts - Sony a6300 Usable Video Up to ISO 25600? Oh Baby! (Yeah, OK, it Depends)</image:title>
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    <image:image>
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      <image:title>All Posts - Sony a6300 Usable Video Up to ISO 25600? Oh Baby! (Yeah, OK, it Depends)</image:title>
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      <image:title>All Posts - Sony a6300 Usable Video Up to ISO 25600? Oh Baby! (Yeah, OK, it Depends)</image:title>
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    <loc>http://hughbrownstone.com/all-posts/2016/4/9/rolling-shutter-sony-a6300-vs-a6000-when-hughs-on-cold-medicine</loc>
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    <lastmod>2016-04-09</lastmod>
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    <loc>http://hughbrownstone.com/all-posts/2016/4/8/low-light-testing-of-sony-a6300-stills-omg</loc>
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    <priority>0.5</priority>
    <lastmod>2016-04-08</lastmod>
    <image:image>
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      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Sony FE 28mm f/2: ISO 25600, 1/250, f/5.6 uncorrected except for minor crop after adjusting perspective using DxO ViewPoint 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460126046411-PLG0UCXOINPVAJ50LAOD/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Sony FE 28mm f/2: ISO 1600, 1/160, f/2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460134260098-O42EPN4B7S6UVD3BR1OQ/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Sony FE 28mm f/2: ISO 51200, 1/4000, f/2.8. No post-processing other than slight rotation and resultant crop. You read that right: ISO 51200.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460134414019-WABF6ZVUEQ4PBIEQ4LY5/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Sony FE 28mm f/2: ISO 100, 1/15, f/2.0. No post-processing other than slight rotation and resultant crop. Yes, it's much, much cleaner when you look closely. And?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460138667553-GNU7LFEK3EJ1ZS45C5F6/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Sony FE 28mm f/2: ISO 1600, 1/320, f/2.0 hand-held</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460134969144-9W3DKKKADGA2UNAMXD2N/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Zeiss Touit 12mm: ISO 4000, 1/160, f/2.8 hand-held</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460135202394-64KTYPI3A1TVSKH1M0HW/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Zeiss Touit 12mm f/2.8: ISO 3200 1/60, f/2.8 hand-held</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460135786665-GNPFIXN9P37RV88EKFW5/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Sony Vario Tessar T* FE 24-70mm f/4 ZA OSS: ISO 3200 1/60, f/2.8 hand-held</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460136115619-AD22N9TGW2BNULJQMUQJ/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Sony Vario Tessar T* FE 24-70mm f/4 ZA OSS (at 24mm): ISO 6400 1/40, f/4 hand-held</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460136219642-GUHQBNIPEF6JZHNV4XWB/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Sony Vario Tessar T* FE 24-70mm f/4 ZA OSS (at 54mm) : ISO 6400, 1/50, f4 hand-held</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460136392038-IJTZ77AGKTDI1US0JUNE/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Sony Vario Tessar T* FE 24-70mm f/4 ZA OSS (at 24mm): ISO 32000, 1/125, f/5.6 hand-held</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1460136811178-MEAFOK38LZWSHLTXXE3Y/image-asset.jpeg</image:loc>
      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Sony a6300 with Sony Vario Tessar T* FE 24-70mm f/4 ZA OSS (at 45mm): ISO 6400, 1/60, f/4 hand-held.</image:caption>
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    <image:image>
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      <image:title>All Posts - Low Light Testing of Sony a6300: Usable Up to ISO 51200!</image:title>
      <image:caption>Cover of the Museum of Modern Art's 2010 Retrospective of Henri Cartier-Bresson The Modern Century, copyright 2010, Museum of Modern Art (under Fair Use)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/5/sony-lens-sale-yumbo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459912252190-43QNAIL98P5HOEUEP9NA/image-asset.png</image:loc>
      <image:title>All Posts - Sony Lens Sale? Yumbo!</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/2/litepanels-astra-1x1-soft-bi-color-led-panel-beautiful-light-beautiful-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459898284804-FUJMFE5WIY77ADLXASJT/image-asset.png</image:loc>
      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>Litepanels Astra 1x1 Soft Bi-Color LED Panel in the bat cave: beautiful light, beautiful design</image:caption>
    </image:image>
    <image:image>
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      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>ARRI Softbank IV kit</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459898203787-4YBLY348CPGW6MWIN269/image-asset.png</image:loc>
      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>profoto 7a flash generator</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459898169998-WZ7K6IF9CWV1R28BFZ2M/image-asset.png</image:loc>
      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>impact Luxbanx Duo Large Octagonal Softbox (84")</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459898114558-7KLF0ZI8CUK7F7IKHS2A/image-asset.png</image:loc>
      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>Aputure Lightstorm LED Panel LS 1</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459898089521-2O6WSPBFI4N0WHB7JSWK/image-asset.png</image:loc>
      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>Litepanels Astra 1x1 Soft Bi-Color LED Panel</image:caption>
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    <image:image>
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      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
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      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
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      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
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      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>Anton Bauer Cine 150 battery, V-mount</image:caption>
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    <image:image>
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      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
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    <image:image>
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      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>Left: my usual lighting setup, give or take. Right: with the Astra Bi-Color Soft. This is what happens when you still don't really know what you're doing with lighting or color correction; you never leave your setup in place; and then you get your hands on a Litepanels Astra Bi-Color Soft, get inspired and learn new things in the process. Same lens (Sony E 50mm f/1.8), but I'm also confounding things by using a Sony a6000 on left, Sony a6300 on right (though both were shot at 1080p 24fps).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459898714627-P8HVATKB1L512YH6JAE9/image-asset.png</image:loc>
      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>Budget panel on the left, Astra Bi-Color Soft on the right, both 100% power, 5400K.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459863710842-LKHPHC1778FKALZ32HFG/image-asset.png</image:loc>
      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>The subject is a 1/43rd scale auto. See what I mean about not having a worthy model? All lights one meter away at full power, set to daylight. From left to right, Aputure Lightstorm LS 1/2W diffused; Astra Bi-Color Soft, Aputure Amaran HR672C diffused with EZ Box, Aputure Lightstorm LS 1/2w undiffused. All images destaturated and equalized as best I can to show actual differences in output and diffusion at the same ISO, shutter speed and aperture.  You'll only see the difference if you look really, really, really closely, but that's the point: this is an example of an object a fraction of the size of the lighting surface area. This is why a 7' Octobox is awesome for full-length images of people, and why the Astra Bi-Color Soft is awesome for interviews and close-ups of people. It's a little bit of overkill (OK, a LOT) for a toy car less than 4" long. Then again, it's not designed for that purpose.</image:caption>
    </image:image>
    <image:image>
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      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>DoPchoice Snapbag Softbox for Astra 1x1</image:caption>
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      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>SkyPanel S30-C LED Softlight</image:caption>
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      <image:title>All Posts - Litepanels Astra Soft Bi-Color 1x1 LED Panel: Beautiful Light, Beautiful Design</image:title>
      <image:caption>Litepanels Astra Series</image:caption>
    </image:image>
  </url>
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    <lastmod>2016-04-04</lastmod>
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      <image:title>All Posts - Aputure Takes a New Turn: Smartphone Accessories</image:title>
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      <image:title>All Posts - Aputure Takes a New Turn: Smartphone Accessories</image:title>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/4/sony-a6300-vs-fs5-120-fps-which-is-which</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-04-04</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/4/1/we-have-a-winner-of-the-aputure-vs-1-finehd-7-field-monitor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-04-01</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/3/27/back-to-the-future-blackmagic-designs-new-micro-studio-4k-is-a-mashup-of-the-legendary-hasselblad-501-and-a-gopro-hero-and-an-indication-of-where-cameras-should-go-next</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-03-29</lastmod>
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      <image:title>All Posts - Back to the Future: Blackmagic Design’s New Micro Studio 4K is a Mashup of their Studio Camera 4K, a GoPro Hero and the Legendary Hasselblad 500C  – and an Indication of Where Cameras Should Go Next</image:title>
      <image:caption>GoPro Hero3+ (mine); Blackmagic Design Micro Studio 4K (courtesy Blackmagic) with Olympus M. Zuiko ED 12-50mm f/3.5-6.3 PZ, Hasselblad 500C/M with Carl Zeiss 80mm f/2.8 Planar (courtesy of KEH)</image:caption>
    </image:image>
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      <image:title>All Posts - Back to the Future: Blackmagic Design’s New Micro Studio 4K is a Mashup of their Studio Camera 4K, a GoPro Hero and the Legendary Hasselblad 500C  – and an Indication of Where Cameras Should Go Next</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459268057306-GMBOL2HG7HP66JEWLKY7/image-asset.jpeg</image:loc>
      <image:title>All Posts - Back to the Future: Blackmagic Design’s New Micro Studio 4K is a Mashup of their Studio Camera 4K, a GoPro Hero and the Legendary Hasselblad 500C  – and an Indication of Where Cameras Should Go Next</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459287409244-WVDMMBSW7GYSVKY7H0JY/image-asset.png</image:loc>
      <image:title>All Posts - Back to the Future: Blackmagic Design’s New Micro Studio 4K is a Mashup of their Studio Camera 4K, a GoPro Hero and the Legendary Hasselblad 500C  – and an Indication of Where Cameras Should Go Next</image:title>
      <image:caption>Quick check of the Video Assist hooked up to the Micro Studio Camera 4K with Oly ED 12-50mm f/3.5-6.3 PZ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459287505292-9YNJSMA4D39TJT9TIQ6D/image-asset.png</image:loc>
      <image:title>All Posts - Back to the Future: Blackmagic Design’s New Micro Studio 4K is a Mashup of their Studio Camera 4K, a GoPro Hero and the Legendary Hasselblad 500C  – and an Indication of Where Cameras Should Go Next</image:title>
      <image:caption>Yes, this is NOT the kind of scene for which the camera was intended, but still lovely. Same Video Assist with Micro Studio Camera 4K and Oly ED 12-50mm f/3.6-6.3 PZ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459269017900-KODW481OU7YNAH0L9C3M/image-asset.png</image:loc>
      <image:title>All Posts - Back to the Future: Blackmagic Design’s New Micro Studio 4K is a Mashup of their Studio Camera 4K, a GoPro Hero and the Legendary Hasselblad 500C  – and an Indication of Where Cameras Should Go Next</image:title>
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    <image:image>
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      <image:title>All Posts - Back to the Future: Blackmagic Design’s New Micro Studio 4K is a Mashup of their Studio Camera 4K, a GoPro Hero and the Legendary Hasselblad 500C  – and an Indication of Where Cameras Should Go Next</image:title>
      <image:caption>Hasselblad 500C/M with A12 back, Zeiss 80mm f/2.8 Planar and angled prism finder; Blackmagic Design Micro Studio Camera 4K with Video Assist and Olympus M.Zuiko ED 12-50mm f/3.5-6.3 PZ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1459269632704-LC1OYROVTYH0CRE9J1SG/image-asset.jpeg</image:loc>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/3/16/came-tv</loc>
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    <lastmod>2016-03-16</lastmod>
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  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/3/16/rtlk365ubjtzlplonxwi0nn15vw2ec</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2016-03-16</lastmod>
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      <image:title>All Posts - Why Sony Has the Hot Hand in Imaging Right Now</image:title>
      <image:caption>Members of Sony's Professional Services team, on the roof of Sony's new offices overlooking Madison Square Park in New York. Sony a6000  [B&amp;H|Amazon] with Zeiss Touit 12mm f/2.8  [B&amp;H|Amazon] by Hugh Brownstone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56265dabe4b09a7e5c7423e2/1458152195197-2D2H3B6MJ9R4L9FKC47N/image-asset.jpeg</image:loc>
      <image:title>All Posts - Why Sony Has the Hot Hand in Imaging Right Now</image:title>
      <image:caption>Roof of new Sony offices overlooking Madison Square Park. Sony a6000 with Zeiss Touit 12mm f/2.8, run through DxO Viewpoint 2 for perspective correction by Hugh Brownstone.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/3/14/latest-g</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-03-14</lastmod>
  </url>
  <url>
    <loc>http://hughbrownstone.com/all-posts/2016/3/8/8zsz5npdn8ptjdp8yckce70d49saab</loc>
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    <priority>0.5</priority>
    <lastmod>2016-03-09</lastmod>
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