Well, this is one way to play catch up: put all the videos I've done on the Panasonic GH5 and related lenses over the last couple of months in one post. Enjoy -- and if you like what you've seen here, please remember to give a thumbs up, subscribe to our YouTube channel and consider using our affiliate links or even directly supporting us with a contribution via PayPal in the "MORE" section below each video on YouTube. Thanks!
Along with its wider brother (MK 18-55 T2.9), Fujinon's 50-135 T2.9 cine zoom has just gorgeous image quality -- especially when paired with Sony's little a6300. The key is to truly lock the lens down on such a small body, and for that Zacuto's Scissors is fantastic: it locks the lens in place on your rail system by literally screwing into the lens itself, so you don't get flexing in either direction. If you have a Sony e-mount camera, you'll want to take a look at this pair. You may also want to look at the rig I used to hold it all together, the Sachtler Ace Baseplate; SmallRig 15 carbon fiber rods; Really Right Stuff L-bracket; and the edelkrone FocusOne.
At the end of the day, a teleprompter is a pellicle mirror reflecting scrolling text from one side, allowing you to shoot through it from the other to give the illusion that the on-camera talent isn't reading. It works well, and you can even build one yourself for a few dollars. But the first high-quality, well-designed prompter and inexpensive prompter I've seen (for use with tablets and smartphones) is called the PRomptBox. At $139 (B&H), it's not only inexpensive -- it's brilliant.
I missed the spring cleaning completely. Now it's fall and I'm still working on cleaning house, but you're in luck - I'm looking to give away the CAME-TV Argo review unit I tested back in June. The winner will be announced end of day U.S. East Coast Time October 14th
Too much gear, not enough time to use it all, and its kind of nice to just give it away. This time it's Aputure's DEC LensRegain
It was one of those once-in-a-lifetime opportunities, but this time (unlike in April) I wasn’t official press. Forget about a tripod or monopod - Secret Service rules prohibited even selfie-sticks. Forget about a lot of glass, especially long, fast glass: not only would everything have to be hand-held, but those same rules stipulated no backpacks and no bags bigger than 18” x 13” x 7.” And then there were the closed-door meetings where even if I had been press, no press were allowed. Traveling small, light and unobtrusive were the orders of the week. Heads-up: this is a post about gear -- not politics -- but if you don’t want to see photographs from the Democratic National Convention in Philly (along with protests) you’d better stop reading here.
When I received a demo unit from Convergent Design of their RAW-enabled Odyssey 7q+ 4k recorder/monitor combo, I finally had the basic pieces -- along with the Sony FS5 and RAW upgrade -- to do a long-awaited review. But when I thought through the test scenarios and other gear I might need, I reached out to Zacuto, a highly regarded "Made in America" filmmaking accessories manufacturer founded by working pros to help me pull it all together. The RAW review is still in the works, but I thought I'd take time in the interim to review the Zacuto gear used in the project. It quickly became a reflection on broader industry trends and how small U.S. manufacturers can respond.
I wonder if sliders for some of us are like gear bags for others: we keep looking for the perfect one. The SmartSlider Reflex S is the first slider I've used which has a separate variable drag control. The slider is robust, and the drag control works. It's a fascinating and worthy alternative to the sliders I have: Cinevate's Duzi, and Syrp's Magic Carpet.
In this penultimate episode of our series on Sachtler gear -- our first exposure to this legendary German company's products -- we take a peek at their follow focus unit, available separately or as part of the complete and beautifully integrated Ace accessories kit (which also includes their matte box and base plate). At $630 for the follow focus alone, it's just over three times the price of my edelkrone FOCUS ONE, but spoiler alert: if it fits with the rest of your gear, I think it's worth it.
At just about $5,000 for a fluid head alone, Sachtler's Video 18 S2 costs more than the cameras owned by most people who read this blog (and just about five times my daily shooter, the Sony a6300). But if you want to know why it costs so much -- or how good it is (spoiler alert: incredible) and when it makes sense -- read on.